History, asked by priyans763, 4 months ago

examine the visual representation of the revolt of 1857 that provoked a range of diffrent emotion and reaction​

Answers

Answered by Rameshjangid
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Final answer:

Both British and Indian artists created pictorial imagery in the form of paintings, pencil sketches, posters, etc. They serve as a crucial part of the mutiny's record. Particularly in British films, a diversity of visuals elicited a wide range of feelings and reactions.

Explanation:

  • The variety of imagery in British paintings was created with the intention of evoking a wide range of feelings and reactions. Some honor the British soldiers who fought the insurgents and saved the English. For instance, Thomas Jones Barker's 1859 painting "Relief of Lucknow" shows Colin Campbell, Henry Havelock, and James Outram working to free the besieged British troops in Lucknow.
  • Newspaper articles have a powerful influence on public opinion. This article discussed the prevalence of violence against women and children and Britain's public demand for vengeance and retribution. These feelings were conveyed and influenced by artists through their depictions of tragedy and suffering in their works of art.
  • In his painting "In Memoriam," Joseph Noel Paton depicted a group of weak and innocent-looking English women and children who appeared to be waiting for the rebels' inevitable acts of shame, violence, and death. This paints the rebels in a brutal and aggressive light.
  • Women are depicted in a different light in a distinct group of sketches and paintings. For instance, a painting shows Miss Wheeler standing firmly in the middle, defending her honor, and slaying the attacking rebels by herself. They appear brave, defending themselves against the attack of rebels. Many people believe that this image has a deeper religious meaning. The Bible is the book on the floor, and the conflict is over preserving Christianity's honor.
  • Demands for retaliation became greater as shock and outrage rippled throughout Britain. The British felt threatened by the insurrection and felt the need to prove their superiority.
  • For example, in one illustration, a female justice figure holding a sword in one hand and a shield in the other is depicted. Her forceful stance and angry, vengeful expression convey her anger. While a large group of Indian women and their children tremble in terror, she is trampling sepoys under her feet.
  • When Governor-General Canning declared that a gesture of Leniency, he was mocked in the British press. In a British Journal of comic satire, Canning is shown as a looming father figure, with his protective hand over the head of a sepoy who still holds a sword and dagger in his hands, both dripping with blood.
  • On the other hand leaders of the revolt were presented as heroic figures leading the country into battle, rousing the people to righteous indignation against oppressive imperial rule. For e.g. Rani of Jhansi was represented as in popular prints a masculine figure chasing the enemy slaying British soldiers and valiantly fighting till her last. She is usually portrayed in battle armor, with a sword in hand and riding a horse, a symbol of her determination to resist injustice and alien rule.

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