explain bystander in poem ."the canonization"
Answers
The Canonization" is a poem by English metaphysical poet John Donne. First published in 1633, the poem is viewed as exemplifying Donne's wit and irony.[1] It is addressed to one friend from another, but concerns itself with the complexities of romantic love: the speaker presents love as so all-consuming that lovers forgo other pursuits to spend time together. In this sense, love is asceticism, a major conceit in the poem. The poem's title serves a dual purpose: while the speaker argues that his love will canonise him into a kind of sainthood, the poem itself functions as a canonisation of the pair of lovers.
New Critic Cleanth Brooks used the poem, along with Alexander Pope's "An Essay on Man" and William Wordsworth's "Composed upon Westminster Bridge, September 3, 1802", to illustrate his argument for paradox as central to poetry.
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"The Canonization" by John Donne begins with the poem's speaker "wanting to be left alone". He addresses some "unnamed person" & demands that he (or she) keep quiet & leave him in peace—to love.
Explanation:
- It is a practice with the poet to bring in a bystander or an over-hearer in a poem to give it a dramatic cast. A stream of changeable injunctions such as "take you a course", "get you a place" and "observe his honour", or his "grace' including are issued by the author. Such instructions give the poem a vivid dramatic presence.
- The poem has a dramatic structure . This dramatic structure includes grammatical modulations that are now in charge, now defiant, now pathological and now elating. Perhaps the other person is a smart man. That address to the individual creates its own stress by creating an engagement between opposing views which eventually leads to a richer harmony.
- In overcoming the other person's skepticism, the poet creates a glorious view that integrates into its capacious realm the entire world of nations, towns and courts. The poet claims that the entire world shrinks and is mirrored in the eyes of the loved one in terms of his illustration of 'glasses' of eyes.
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