explain the art of the gol gumbaz. do not to copy from google(more than 350-450words)45marks
Answers
Answer:
Explanation:
Construction Started : 1626 AD
Construction Completed : 1656 AD
Maintained By : Archeological Survey of India (ASI)
Where is it Located : Bijapur, Karnataka, India
Why was it Built : To mark the tomb of Mohammed Adil Shah
Dimensions : 47.5 metres (156 ft) on each side, capped by a dome 44 m (144 ft) in external diameter
Materials Used : Dark grey basalt
Architectural Style : Deccan Indo-Islamic
Designer : Yaqut of Dabul
Mohammed Adil shah started construction of his own tomb to bury his mortal remains right after his ascent to the throne in 1626. Mohammed Adil shah intended to build for himself a mausoleum comparable and possibly grander in scale than the Ibrahim Rauza, the tomb of his father, Ibrahim Adil Shah II. The composition and ornamentation of the Ibrahim Rauza is exceptionally intricate and beautiful. Going for size, the Gol Gumbaz was planned as a mammoth single chamber structure and remains one of the biggest in the world till date. The construction of the tomb continued throughout Mohammed Adil Shah’s regime but could not be executed to full extent due to the sudden demise of the Sultan in 1656. Buried along with the Sultan are his two wives, Taj Jahan Begum and Aroos Bibi, his mistress Rambha, his daughter and his grandson
Design, Architecture & Structure
The Gol Gumbaz, also known as Gol Gumbadh, was designed by an architect named Yaqut of Dabul. Dabul, also known as Dabhol, is a small seaport town in Ratnagiri District, Maharashtra, India. The mausoleum has been built in dark grey Basalt stone and the facade is decorated with plaster. It is cohabited in a complex with other structures like a dharamshala (a simple inn), a mosque and other buildings along with a beautiful, well-maintained garden.
The architectural style of the building is Deccan Indo-Islamic which is a perfect confluence of Indo-Islamic and Dravidian architecture. Deccan rulers produced an independent style of their own, largely ignoring the locally predominant architectural styles and, were primarily influenced by the Persian and Mughal architectural nuances.
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