expressionism-musical element
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Answer:
The term expressionism "was probably first applied to music in 1918, especially to Schoenberg", because like the painter Wassily Kandinsky (1866–1944) he avoided "traditional forms of beauty" to convey powerful feelings in his music (Sadie 1991, 244). Theodor Adorno interprets the expressionist movement in music as seeking to "eliminate all of traditional music's conventional elements, everything formulaically rigid". This he sees as analogous "to the literary ideal of the 'scream' ". As well Adorno sees expressionist music, as seeking "the truthfulness of subjective feeling without illusions, disguises or euphemisms". Adorno also describes it as concerned with the unconscious, and states that "the depiction of fear lies at the centre" of expressionist music, with dissonance predominating, so that the "harmonious, affirmative element of art is banished" (Adorno 2009, 275–76).
Arnold Schoenberg, the key figure in the Expressionist movement.
Expressionist music often features a high level of dissonance, extreme contrasts of dynamics, constant changing of textures, "distorted" melodies and harmonies, and angular melodies with wide leaps (Anon. 2014).
Answer:
Expressionist music often features:
a high level of dissonance
extreme contrasts of dynamics
constantly changing textures
‘distorted’ melodies and harmonies
angular melodies with wide leaps
extremes of pitch
no cadences
Explanation:
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