give a character sketch of Mrs Foster in the story keep it with 150 words
Answers
Answer:
Mrs. Foster is the protagonist of the story. For thirty years of marriage, she has been a “good and loving wife” to her husband, Mr. Eugene Foster. She and Mr. Foster live in New York, while their only daughter lives in Paris. Mrs. Foster is meek, but kindhearted and loyal, and she has an “almost pathological” fear of being late. This fear drives her nearly to the point of hysteria, physically manifesting in a persistent eye twitch. At the beginning of the story, she is planning to board a plane to see her daughter in Paris and meet her grandchildren for the first time, but Mr. Foster is careless about being on time, as he always seems to be. As the story progresses, she begins to suspect more and more that he may be making her late on purpose to inflict a kind of psychological torture on her. This suspicion is confirmed when he runs into the house to look for their daughter’s gift, but she finds it hidden in the seat of the car, presumably so that she would miss her flight. When Mrs. Foster runs to the door to tell him, she hears something that makes her return to the car and tell the driver to take her to the airport without her husband. At the end, Dahl implies that Mrs. Foster heard the sound of their elevator getting stuck between floors and she left anyway, knowing that her husband would die trapped there. This decision brings out a new confidence and satisfaction in Mrs. Foster, doing away with her prior nervousness.
Explanation:
Mrs. Foster is the protagonist of the story. For thirty years of marriage, she has been a “good and loving wife” to her husband, Mr. Eugene Foster. She and Mr. Foster live in New York, while their only daughter lives in Paris. Mrs. Foster is meek, but kindhearted and loyal, and she has an “almost pathological” fear of being late. This fear drives her nearly to the point of hysteria, physically manifesting in a persistent eye twitch. At the beginning of the story, she is planning to board a plane to see her daughter in Paris and meet her grandchildren for the first time, but Mr. Foster is careless about being on time, as he always seems to be. As the story progresses, she begins to suspect more and more that he may be making her late on purpose to inflict a kind of psychological torture on her. This suspicion is confirmed when he runs into the house to look for their daughter’s gift, but she finds it hidden in the seat of the car, presumably so that she would miss her flight. When Mrs. Foster runs to the door to tell him, she hears something that makes her return to the car and tell the driver to take her to the airport without her husband. At the end, Dahl implies that Mrs. Foster heard the sound of their elevator getting stuck between floors and she left anyway, knowing that her husband would die trapped there. This decision brings out a new confidence and satisfaction in Mrs. Foster, doing away with her prior nervousness.