go to a library and study about a famous artwork. write about it.
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One of the great Renaissance painters, Leonardo da Vinci continually tested artistic traditions and techniques. He created innovative compositions, investigated anatomy to accurately represent the human body, considered the human psyche to illustrate character, and experimented with methods of representing space and three-dimensional objects on a two-dimensional surface. The result of his inexhaustible curiosity is many unfinished projects but also some of the most lifelike, complex, and tender representations of human nature. His experiments influenced the art of his successors and often became the standard of representation in subsequent centuries. At his death in 1519, Leonardo left many notebooks filled with jottings and sketches but very few finished works. Some of his pieces were completed by assistants, but others were lost, destroyed, or overpainted. Below are 10 examples of some of his most well-known surviving works.
Mona Lisa (c. 1503–19)
Mona Lisa, oil on wood panel by Leonardo da Vinci, c. 1503-06; in the Louvre, Paris, France. 77 x 53 cm.
Leonardo da Vinci: Mona Lisa
Mona Lisa, oil on wood panel by Leonardo da Vinci, c. 1503–19; in the Louvre, Paris.
© Everett-Art/Shutterstock.com
The world’s most famous artwork, the Mona Lisa draws thousands of visitors to the Louvre Museum each day, many of whom are compelled by the sitter’s mysterious gaze and enigmatic smile. The seemingly ordinary portrait of a young woman dressed modestly in a thin veil, somber colors, and no jewelry might also confound its viewers, who may wonder what all the fuss is about. The painting’s simplicity belies Leonardo’s talent for realism. The subject’s softly modeled face shows his skillful handling of sfumato, an artistic technique that uses subtle gradations of light and shadow, rather than line, to model form. The delicately painted veil, the finely wrought tresses, and the careful rendering of folded fabric reveal Leonardo’s tireless patience in recreating his studied observations. Moreover, the sitter’s perplexing expression only adds to her realism. Her smile might be engaging or it might be mocking—viewers can’t quite figure it out because, like a human, she is a complex figure, embodying contrary characteristics simultaneously.
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Answer:
destroyed, or overpainted. Below are 10 examples of some of his most well-known surviving works.
Mona Lisa (c. 1503–19)
Leonardo da Vinci: Mona Lisa
Mona Lisa, oil on wood panel by Leonardo da Vinci, c. 1503–19; in the Louvre, Paris.
© Everett-Art/Shutterstock.com
The world’s most famous artwork, the Mona Lisa draws thousands of visitors to the Louvre Museum each day, many of whom are compelled by the sitter’s mysterious gaze and enigmatic smile. The seemingly ordinary portrait of a young woman dressed modestly in a thin veil, somber colors, and no jewelry might also confound its viewers, who may wonder what all the fuss is about. The painting’s simplicity belies Leonardo’s talent for realism. The subject’s softly modeled face shows his skillful handling of sfumato, an artistic technique that uses subtle gradations of light and shadow, rather than line, to model form. The delicately painted veil, the finely wrought tresses, and the careful rendering of folded fabric reveal Leonardo’s tireless patience in recreating his studied observations. Moreover, the sitter’s perplexing expression only adds to her realism. Her smile might be engaging or it might be mocking—viewers can’t quite figure it out because, like a human, she is a complex figure, embodying contrary characteristics simultaneously.
Last Supper (c. 1495–98)
Leonardo da Vinci: Last Supper
Last Supper, wall painting by Leonardo da Vinci, c. 1495–98, after the restoration completed in 1999; in Santa Maria delle Grazie, Milan.
Images Group/REX/Shutterstock.com
One of the most famous paintings in the world, the Last Supper was commissioned by Ludovico Sforza, duke of Milan and Leonardo’s patron during his first stay in that city, for the Dominican monastery of Santa Maria delle Grazie. Depicting a sequential narrative, Leonardo illustrates several closely connected moments in the Gospels, including Matthew 26:21–28, in which Jesus declares that one of the Apostles will betray him and then institutes the Eucharist. Leonardo, who was intrigued by the manner in which a man’s character can reveal itself in posture, expression, and gesture, depicted each disciple’s unique reaction to the declaration. The Apostles’ postures rise, fall, extend, and intertwine as they appear to whisper, yell, grieve, and debate around Jesus, who sits serenely in the center. Because of Leonardo’s experimental painting technique, in which he used tempera or oil paint on two layers of preparatory ground, the work began to disintegrate soon after he finished it. Viewers, however, can still recognize it as a complex study of varied human emotion, revealed in a deceptively simple composition.
Vitruvian Man (c. 1490)
Leonardo da Vinci: Vitruvian Man
Vitruvian Man, drawing by Leonardo da Vinci, c. 1490; in the Gallerie dell'Accademia, Venice.
Creatas/Getty Images
Leonardo’s pen-and-ink drawing Vitruvian Man comes from one of the many notebooks that he kept on hand during his mature years. It is accompanied by notes, written in mirror script, on the ideal human proportions that the Roman architect Vitruvius laid out in a book on architecture from the 1st century BCE. The drawing illustrates Vitruvius’s theory that the ideal human could fit within a circle and a square, two irreconcilable shapes. Leonardo resolved the concept by drawing a male figure in two superimposed positions—one with his arms outstretched to fit in a square and another with his legs and arms spread in a circle. The work shows not only Leonardo’s effort to understand significant texts but also his desire to expand on them. He was not the first to illustrate Vitruvius’s concepts, but his drawing later became the most iconic, partly because its combination of mathematics, philosophy, and art seemed a fitting symbol of the Renaissance. The drawing is now housed in the Gallerie dell’Accademia, Venice, where it is not typically on display but kept in a climate-controlled archive.
Self Portrait (c. 1490/1515–16)
Leonardo da Vinci: self-portrait
Self-portrait, drawing by Leonardo da Vinci, c. 1490/1515–16; in the Royal Library, Turin, Italy.
Photos.com/Jupiterimages
in turn, blesses John as an archangel, seen in a complex pose from the back, points toward John and glances inscrutably outward at the viewer. Leonardo also notably excluded traditional holy signifiers—halos for Mary and Christ and a staff for John—so that the Holy Family appears less divine and more human.
Head of a Woman (1500–10)
Leonardo da Vinci: Head of a Woman
Head of a Woman (also called La Scapigliata), oil, earth, and white lead pigments on poplar wood by Leonardo da Vinci, 1500–10; in the National Gallery, Parma, Italy.
© Alfredo Dagli Orti/REX/Shutterstock.com
Head of a Woman, a small brush drawing with