Question

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1. Caged behind thick glass, the most famous dancer in the world can easily be missed in the National Museum, Delhi.
The Dancing Girl of Mohenjo-Daro is that rare artefact that even school children are familiar with. Our school textbooks
also communicate the wealth of our 5000 year heritage of art. You have to be alert to her existence there, amid
terracotta animals to rediscover this bronze image.
2. Most of us have seen her only in photographs or sketches therefore the impact of actually holding her is magnified
a million times over. One discovers that the dancing girl has no feet. She is small, a little over 10 cm tall - the length of a
human palm - but she surprises us with the power of great art - the ability to communicate across centuries.
3. A series of bangles - of shell or ivory or thin metal - clothe her left upper arm all the way down to her fingers. A
necklace with three pendants bunched together and a few bangles above the elbow and wrist on the right hand display
an almost modern art.
4. She speaks of the undaunted exer hopeful human spirit. She reminds us that it is important to visit museums in our
country to experience the impact that a work of art leaves on our senses, to find among all the riches one particular
vision of beauty that speaks to us alone.



how it is written ​

Answer 1

Answer:

he

1. Caged behind thick glass, the most famous dancer in the world can easily be missed in the National Museum, Delhi.

The Dancing Girl of Mohenjo-Daro is that rare artefact that even school children are familiar with. Our school textbooks

also communicate the wealth of our 5000 year heritage of art. You have to be alert to her existence there, amid

terracotta animals to rediscover this bronze image.

2. Most of us have seen her only in photographs or sketches therefore the impact of actually holding her is magnified

a million times over. One discovers that the dancing girl has no feet. She is small, a little over 10 cm tall - the length of a

human palm - but she surprises us with the power of great art - the ability to communicate across centuries.

3. A series of bangles - of shell or ivory or thin metal - clothe her left upper arm all the way down to her fingers. A

necklace with three pendants bunched together and a few bangles above the elbow and wrist on the right hand display

an almost modern art.

4. She speaks of the undaunted exer hopeful human spirit. She reminds us that it is important to visit museums in our

country to experience the impact that a work of art leaves on our senses, to find among all the riches one particular

vision of beauty that speaks to us alone.

how it is written