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Chap-Patol babu
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Q.The story of Patol Babu highlights the importance of passion and satisfaction.Discuss
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The story of Patol Babu highlights the importance of passion and satisfaction. The values we get is that money is important but it is insignificant when compared to sentiments and satisfaction of a perfect performance. Personal satisfaction is more than money. We should not compromise satisfaction for money. Pleasure derived from talent and skill cannot be measured in terms of money. The story also reveals that perfect practice is needed to be successful in any task.
chaarvibakshi:
Extremely sorry to say but you have copied from volume 2 english plus,i have the same book i don't want a copied answer.Im not insulting you but i still thank you as you wrote.Thnx
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This story depicts the dreams and aspirations of small limas and the apathy of film people for whom making films is a business. Patol Babu was a middle aged man of t fifty years with a bald head. His neighbour ghbour Nishikanta Ghosh informed him that his brother-in-law was looking around for an Naresh Dutt, a film producer, actor for a scene in a film, with looks like that of Patol Babu. Patol Babu was too excited to listen to this news and in his excitement, he made the wrong purchases in the vegetable market. Patol Babu remembered fondly that he always had a great passion for the stage and in his youth he had acted in many ‘Jatras.’ Indeed there was a time when people bought tickets especially to see him.
It was in the year 1934, when he lived in Kanchrapara and worked as a clerk with Hudson and Kimberley. He had thought of floating his own theatrical club but he lost his job. Ever since Patol Babu had to struggle a lot to make a living. He worked in a Bengali film, worked as an insurance salesman but nothing lasted. He paid regular visits to various offices for jobs but noth-ing worked. He still remembered some of the dialogues of the plays he had acted in.
A new offer to work in films sparked his interest. Naresh Dutt duly arrived and told Patol Babu to report at Faraday House, next morning. On enquiry, Naresh Dun told Patol Babu that it was a speaking role and he had to play an absent-minded pedestrian. Patol Babu was extremely happy and confided to his wife that he was aware that it wasn’t a big role, but one rose from small roles only and this might prove to be the beginning of a great career. His wife expressed her reservation but Patol Babu was in no mood to listen.
Next morning. Patol Babu reported on time at Faraday Building. He saw lot of crowd with instruments and cameras being shifted here and there. He was instructed by Naresh Dutt to wait for his turn. Patol Babu was quite nervous since he had no idea about his dialogues and he didn’t want to make a spectacle of him self infront of lead actors. In the meantime, the shooting of the movie
started and one scene was shot. Patol Babu couldn’t wait any longer. He went to Naresh Dun and asked for his dialogues. On glancing at the paper, Patol Babu was really depressed, since he was required to speak just one word ‘Oh!’ Patol Babu was supposed to act like an absent-minded pedestrian and collide with the lead actor, Chanchal Kumar, utter ‘Oh’ and resume walking. He was instructed to go and wait on one side. Patol Babu felt humiliated and let down. He felt the entire Sunday was lost in false anticipation of a good role. A faint memory stirred his mind. He remembered his mentor, Gogon Pakrashi’s advice that as an artist one must make the most of one’s opportunity, whatever it might be. This thought drove away his depression and he started rehearsing all kinds of exclamations ‘Oh’s’ that could he given at different occasions.
It was in the year 1934, when he lived in Kanchrapara and worked as a clerk with Hudson and Kimberley. He had thought of floating his own theatrical club but he lost his job. Ever since Patol Babu had to struggle a lot to make a living. He worked in a Bengali film, worked as an insurance salesman but nothing lasted. He paid regular visits to various offices for jobs but noth-ing worked. He still remembered some of the dialogues of the plays he had acted in.
A new offer to work in films sparked his interest. Naresh Dutt duly arrived and told Patol Babu to report at Faraday House, next morning. On enquiry, Naresh Dun told Patol Babu that it was a speaking role and he had to play an absent-minded pedestrian. Patol Babu was extremely happy and confided to his wife that he was aware that it wasn’t a big role, but one rose from small roles only and this might prove to be the beginning of a great career. His wife expressed her reservation but Patol Babu was in no mood to listen.
Next morning. Patol Babu reported on time at Faraday Building. He saw lot of crowd with instruments and cameras being shifted here and there. He was instructed by Naresh Dutt to wait for his turn. Patol Babu was quite nervous since he had no idea about his dialogues and he didn’t want to make a spectacle of him self infront of lead actors. In the meantime, the shooting of the movie
started and one scene was shot. Patol Babu couldn’t wait any longer. He went to Naresh Dun and asked for his dialogues. On glancing at the paper, Patol Babu was really depressed, since he was required to speak just one word ‘Oh!’ Patol Babu was supposed to act like an absent-minded pedestrian and collide with the lead actor, Chanchal Kumar, utter ‘Oh’ and resume walking. He was instructed to go and wait on one side. Patol Babu felt humiliated and let down. He felt the entire Sunday was lost in false anticipation of a good role. A faint memory stirred his mind. He remembered his mentor, Gogon Pakrashi’s advice that as an artist one must make the most of one’s opportunity, whatever it might be. This thought drove away his depression and he started rehearsing all kinds of exclamations ‘Oh’s’ that could he given at different occasions.
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