History of carnatic music and at presentation
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Carnatic music, Karnāṭaka saṃgīta or Karnāṭaka saṅgītam is a system of music commonly associated with southern India, including the modern Indian states of Andhra Pradesh, Telangana, Karnataka, Kerala, and Tamil Nadu, as well as Sri Lanka.[1][2] It is one of two main subgenres of Indian classical music that evolved from ancient Hindutraditions, the other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in gāyaki (singing) style.
Carnatic music was mainly patronized by the local kings of the Kingdom of Mysore, Kingdom of Travancore, and the Maratha rulers of Tanjore[16] in the 18th through 20th centuries. Some of the royalty of the kingdoms of Mysore and Travancore were themselves noted composers and proficient in playing musical instruments, such as the veena, rudra veena, violin, ghatam, flute, mridangam, nagaswara and swarabhat.[17]Some famous court-musicians proficient in music were Veene Sheshanna (1852–1926)[18] and Veene Subbanna (1861–1939),[19] among others.
With the dissolution of the erstwhile princely states and the Indian independence movement reaching its conclusion in 1947, Carnatic music went through a radical shift in patronage into an art of the masses with ticketed performances organized by private institutions called sabhās.
Carnatic music was mainly patronized by the local kings of the Kingdom of Mysore, Kingdom of Travancore, and the Maratha rulers of Tanjore[16] in the 18th through 20th centuries. Some of the royalty of the kingdoms of Mysore and Travancore were themselves noted composers and proficient in playing musical instruments, such as the veena, rudra veena, violin, ghatam, flute, mridangam, nagaswara and swarabhat.[17]Some famous court-musicians proficient in music were Veene Sheshanna (1852–1926)[18] and Veene Subbanna (1861–1939),[19] among others.
With the dissolution of the erstwhile princely states and the Indian independence movement reaching its conclusion in 1947, Carnatic music went through a radical shift in patronage into an art of the masses with ticketed performances organized by private institutions called sabhās.
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I don't know man im just a poor little boy lol with zero education jk I just needed the points
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