history of documentaries
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The very first films (pre-1900’s) were called "actuality films" because they captured short snippets of real "actual" events, such as a boat pulling up to the dock or workers leaving a factory. So in essence, the first movies ever made were documentaries, also called newsreels.
1920’s Russia - Perhaps the true spirit of the documentary starts with a young poet and film editor named Dziga Vertov. He and his group created a series of educational newsreels called the Kino-Eye (literally, "cinema truth") during the Russian Revolution.
Nanook of the North - by American filmmaker, Robert Flaherty (1922) - Considered the first "original" documentary, this film profiles the lives of a real Eskimo family.
1926 - the first recorded mention of the term "documentary" (by Scottish-born filmmaker John Grierson) to describe a non-fiction film.
1930’s & 1940’s – the documentary becomes a valuable propaganda tool for governments such as Nazi Germany, America and Britain, especially during WWII.
Cinéma Vérité and Direct Cinema (1950’s – 1970’s) - with the advent of new technology and lighter camera equipment, new filmmaking styles emerged to capture more "spontaneous" events.
1960’s – 1990’s - Television becomes an important outlet for documentary filmmaking, putting more of an emphasis on journalistic and educational programs (i.e. Ken Burns’s Civil Warseries, 1990).
Documentaries today are experiencing a boost in popularity with the help of blockbusters such as Fahrenheit 911, SuperSize Me and An Inconvenient Truth.
It is truly an exciting time to be a documentary filmmaker. Never before have there been so many opportunities to get your story told and seen.
Literally, all you need is a camcorder & a computer and you can be in the movie-making business!
1920’s Russia - Perhaps the true spirit of the documentary starts with a young poet and film editor named Dziga Vertov. He and his group created a series of educational newsreels called the Kino-Eye (literally, "cinema truth") during the Russian Revolution.
Nanook of the North - by American filmmaker, Robert Flaherty (1922) - Considered the first "original" documentary, this film profiles the lives of a real Eskimo family.
1926 - the first recorded mention of the term "documentary" (by Scottish-born filmmaker John Grierson) to describe a non-fiction film.
1930’s & 1940’s – the documentary becomes a valuable propaganda tool for governments such as Nazi Germany, America and Britain, especially during WWII.
Cinéma Vérité and Direct Cinema (1950’s – 1970’s) - with the advent of new technology and lighter camera equipment, new filmmaking styles emerged to capture more "spontaneous" events.
1960’s – 1990’s - Television becomes an important outlet for documentary filmmaking, putting more of an emphasis on journalistic and educational programs (i.e. Ken Burns’s Civil Warseries, 1990).
Documentaries today are experiencing a boost in popularity with the help of blockbusters such as Fahrenheit 911, SuperSize Me and An Inconvenient Truth.
It is truly an exciting time to be a documentary filmmaker. Never before have there been so many opportunities to get your story told and seen.
Literally, all you need is a camcorder & a computer and you can be in the movie-making business!
navinasuman1613:
sry wanted answer in hindi
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Early film (pre-1900) was dominated by the novelty of showing an event. They were single-shot moments captured on film: a train entering a station, a boat docking, or factory workers leaving work. These short films were called "actuality" films; the term "documentary" was not coined until 1926. Many of the first films, such as those made by Auguste and Louis Lumière, were a minute or less in length, due to technological limitations.
Films showing many people (for example, leaving a factory) were often made for commercial reasons: the people being filmed were eager to see, for payment, the film showing them. One notable film clocked in at over an hour and a half, The Corbett-Fitzsimmons Fight. Using pioneering film-looping technology, Enoch J. Rector presented the entirety of a famous 1897 prize-fight on cinema screens across the United States.
Films showing many people (for example, leaving a factory) were often made for commercial reasons: the people being filmed were eager to see, for payment, the film showing them. One notable film clocked in at over an hour and a half, The Corbett-Fitzsimmons Fight. Using pioneering film-looping technology, Enoch J. Rector presented the entirety of a famous 1897 prize-fight on cinema screens across the United States.
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