How does the afterword of the death and the maiden help us understand dorfman's writing process to construct the play?
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Ariel Dorfman’s Death and the Maiden is a moral thriller about a
woman, Paulina, who believes that a stranger who comes to her home is
the doctor who, under a military dictatorship, tortured and raped her
many years before. (The play’s title is taken from a piece of music by
Franz Schubert; Paulina loved the piece but grew to revile it when it
was played repeatedly during her torture sessions.) Dorfman began
writing the play in the mid-1980s, when he was in exile from Chile, a
country under the rule of the military dictator General Augusto
Pinochet. It was not until Chile’s return to democracy in 1990 that
Dorfman returned to the play and “understood. . . how the story had to
be told.
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