How has Bharata explained hasyarasa in his Natyashatya
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Answer:
Natyashastra has been a classic on dramatics and aesthetics which has been commonly attributed
to Bharata, the sage for its authorship. It has been founded on human psychology prevailing
under conditions of India’s cultural system with a focus on stage performance. Rasa theory is at
the centre of the Natyashastra. Natyashastra is an analytical text of dramatic performance that
categorically characterizes fundamentals such as Natya, Vithi, Bhav, Vyabhichari Bhav, Satvik
Bhav, Vibhav, Anubhav, Rasa, Rasa Sutra, Nishpatti, Model Spectator, and highly spiritual
concept of Shantih. The significance of the text lies in its applied relevance for both creative and
critical aspects. It displays philosophically as a classic as well as contemporary text. Bharata
defines each Sutra offers us in terms of determinants, consequence and Vyabhichari Bhav
establishing his authority in understanding the insight of human nature with an ability of
analytical expression and dramatic representation for ultimate Nishpatti of desired Rasas for
pleasure and delight of the audience. The tradition of Sanskrit scholarship regards Natyashastra
as an additional Ved and is a compendium of performing arts, drama, music, dance, and fine arts.
Bharata leaves deep influence on the subsequent Sanskrit critiques like Abhinav Gupta,
Manmohan or Vishwanath in India aesthetics. It is possible that on the basis of practical
experience of Rasas the art can find bedrock for art and fine arts.