How Indo-Islamic Art represents Composite Indian Culture? Prove it with examples.
Answers
Indo-Islamic architecture is the architecture of the Indian sub-continent that was produced by & for Islamic patrons & purposes.
Explanation:
- The establishment in India of the Delhi Sultanate &the Mughal Dynasty had led to the Indo-Islamic culture. A new phase of "cultural development" was initiated in this period that resulted in Persian, Arab, & Turkish culture being combined with indigenous Indian cultures.
- Because of the Indo-Islamic culture, various social services, dresses, musical instruments, languages, & festivities had been introduced that led to the "social assimilation" of the masses.
- Muslims incorporated and merged many aspects of the local cultures and customs with their "architectural practices". Thus in the architectural field, the several stylised shapes, structural techniques, & surface decorations had come come about by way of continuous interventions of modification, rejection, or acceptance of architectural elements.
- Indo-Islamic, despite the evident influences of Saracens, Persians and Turks. The predominant sensitivities of Indian architecture and decorative styles greatly inspired the designs. Much depended on resources, ability and expertise constraints and the aesthetic context of the patrons.⠀
- Indo-Islamic architecture has left influences on "modern Indian architecture", and was the major impact on the "Indo-Saracenic Revival architecture" that was introduced in the "last century" of the British Rule. Both religious & secular buildings had been influenced by "Indo-Islamic architecture" that exhibits Indian, Persian, Islamic, Arabic, Ottoman Turkish, & Central Asian influences
- Hence, the Indo-Islamic culture reflects in the composite culture of India
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Answer:
Indo-Islamic architecture
Explanation:
Indo-Islamic architecture is the architecture of the Indian subcontinent produced by and for Islamic patrons and purposes. Despite an initial Arab presence in Sindh, the development of Indo-Islamic architecture began in earnest with the establishment of Delhi as the capital of the Ghurid dynasty in 1193.[1] Succeeding the Ghurids was the Delhi Sultanate, a series of Central Asian dynasties that consolidated much of North India, and later the Mughal Empire by the 15th century. Both of these dynasties introduced Persianate, Turkic and Islamicate architecture and art styles from Western Eurasia into the Indian subcontinent.
The types and forms of large buildings required by Muslim elites, with mosques and tombs much the most common, were very different from those previously built in India. The exteriors of both were very often topped by large domes, and made extensive use of arches. Both of these features were hardly used in Hindu temple architecture and other indigenous Indian styles. Both types of building essentially consist of a single large space under a high dome, and completely avoid the figurative sculpture so important to Hindu temple architecture.
Islamic buildings initially adapted the skills of a workforce trained in earlier Indian traditions to their own designs. Unlike most of the Islamic world, where brick tended to predominate, India had highly skilled builders well used to producing stone masonry of extremely high quality.[4] Alongside the architecture developed in Delhi and prominent centres of Mughal culture such as Agra, Lahore and Allahabad, a variety of regional styles developed in regional kingdoms like the Bengal, Gujarat, Deccan, Jaunpur and Kashmir Sultanates. By the Mughal period, generally agreed to represent the peak of the style, aspects of Islamic style began to influence architecture made for Hindus, with even temples using scalloped arches, and later domes. This was especially the case in palace architecture. Following the collapse of the Mughal Empire, regional nawabs such as in Lucknow, Hyderabad and Mysore continued to commission and patronize the construction of Mughal-style architecture in the princely states.
Indo-Islamic architecture has left a large impact on modern Indian, Pakistani and Bangladeshi architecture, as in the case of its influence on the Indo-Saracenic Revivalism of the late British Raj. Both secular and religious buildings are influenced by Indo-Islamic architecture.