how is the chinese landscape diffrent
Answers
Chinese artists do not usually paint real places but imaginary, idealized landscapes. The Chinese phrase woyou expresses this idea of "wandering while lying down." In China, mountains are associated with religion because they reach up towards the heavens. People therefore believe that looking at paintings of mountains is good for the soul.
Answer:
Landscape painting is traditionally at the top of the hierarchy of Chinese painting styles. It is very popular and is associated with refined scholarly taste. The Chinese term for "landscape" is made up of two characters meaning "mountains and water." It is linked with the philosophy of Daoism, which emphasizes harmony with the natural world.Chinese artists do not usually paint real places but imaginary, idealized landscapes. The Chinese phrase woyou expresses this idea of "wandering while lying down." In China, mountains are associated with religion because they reach up towards the heavens. People therefore believe that looking at paintings of mountains is good for the soul.
Chinese painting in general is seen as an extension of calligraphy and uses the same brushstrokes. The colors are restrained and subtle and the paintings are usually created in ink on paper, with a small amount of watercolor. They are not framed or glazed but mounted on silk in different formats such as hanging scrolls, handscrolls, album leaves and fan paintings.In China, painters and calligraphers were traditionally scholars. The four basic pieces of equipment they used are called the Four Treasures of the Scholar's Studio or wenfang sibao: paper, brush, ink and inkstone. A cake of ink is ground against the surface of the inkstone and water is gradually dropped from a water dropper, gathering in a well at one end of the stone. The brush is then dipped into the well and the depth of intensity of the ink depends on the wetness or dryness of the brush and the amount of water in the ink.
Ink cakes were made from carbonized pinewood, oil and glue, moulded into cakes or sticks and dried. The most prized inkstones were made of Duan stone from Guangdong province, although the one shown here is made of ceramic. Brushes had very pliable hairs, usually made from deer, goat, wolf or hare. Wrist rests gave essential support while painting details. Other equipment used on a scholar's desk includes brush washers, seals, seal paste boxes, brush pots and brush stands.
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