Question

How many shuddha swara ? Write them ? ​

Answer 1

Answer:

there are seven shudha swara

sa re ga ma pa dha ni

hope it helps

mark me brainliest

Answer 2

Answer and Explanation:

Classical Music

Svara or swara is a Sanskrit word that connotes a note in the successive steps of the Octave. More comprehensively, it is the ancient Indian concept about the complete dimension of musical pitch.  

The swara differs from the Shruti concept in Indian music. A shruti is the smallest gradation of pitch that a human ear can detect and a singer or instrument can produce.A swara is the selected pitches from which the musician constructs the scales, melodies and ragas. The ancient Sanskrit text Natya shastra identifies and discusses twenty two shruti and seven swara. The swara studies in ancient Sanskrit texts include the musical gamut and its tuning, categories of melodic models and the raga compositions.  

The seven notes of the musical scale in Indian classical music are shadja , rishabha , gandhara , madhyama, panchama , dhaivata  and nishada . These seven swaras are shortened to Sa, Ri (Carnatic) or Re (Hindustani), Ga, Ma, Pa, Dha, and Ni.Collectively these notes are known as the sargam(the word is an acronym of the consonants of the first four swaras). Sargam is the Indian equivalent to solfege, a technique for the teaching of sight-singing. The tone Sa is, as in Western moveable-Do solfège, the tonic of a piece or scale.

Shadja and Panchama are achala (immovable) swaras. The other five swaras, viz Rishabha, Gandhara, Madhyama, Dhaivatha, Nishadha are swaras with two or three variations each. The variations are listed below:

Ri has 3 variations: shuddha (R1), chaturshruthi (R2), shatshruti (R3)

Ga has 3 variations: shuddha (G1), sadharana (G2), antara (G3)

Ma has 2 variations: shuddha (M1), prathi (M2)

Da has 3 variations: shuddha (D1), chaturshruthi (D2), shatshruti (D3)

Ni has 3 variations: shuddha (N1), kaishiki (N2), kaakali (N3)

Sri Purandaradasa is referred to as Father of Carnatic Music. He is the one who has composed the Baala paata or The Beginner’s lessons in Carnatic music. These basic lessons serve as the building blocks for more advanced performance forms like alapana, neraval and swara prastara.