how the snake charmers entertained that village people?
Answers
Snake charmers are street performers who “hypnotise” and coax their snakes to “dance” and sway to the music they play on their flutes. Snake charming is a traditional Indian folk art. In Singapore, this art is mainly performed by Indians although some Malays and Chinese have also picked up the skill.
Answer:
Snake charmer in Jaipur (India) in 2008
Snake charming is the practice of appearing to hypnotize a snake by playing and waving around an instrument called a pungi. A typical performance may also include handling the snakes or performing other seemingly dangerous acts, as well as other street performance staples, like juggling and sleight of hand. The practice is most common in India, though other Asian nations such as Pakistan,[1] Bangladesh, Sri Lanka, Thailand, and Malaysia are also home to performers, as are the North African countries of Egypt, Morocco and Tunisia.
Ancient Egypt was home to one form of snake charming, though the practice as it exists today likely arose in India. It eventually spread throughout Southeast Asia, the Middle East, and North Africa. Despite a sort of golden age in the 20th century, snake charming is today slowly dying out. This is due to a variety of factors, chief among them the recent enforcement of a 1972 law in India banning ownership of snakes. In retaliation, snake charmers have organized in recent years, protesting the loss of their only means of livelihood, and the government has made some overtures to them.
Many snake charmers live a wandering existence, visiting towns and villages on market days and during festivals. During a performance, snake charmers may take a number of precautions. The charmer typically sits out of biting range and the snake is sluggish and reluctant to attack anyway. More drastic means of protection include removing the creature's fangs or venom glands, or even sewing the snake's mouth shut. The most popular species are those native to the snake charmer's home region, typically various kinds of cobras, though vipers and other types are also used.
Although snakes are able to sense sound, they lack the outer ear that would enable them to hear the music. They follow the pungi that the "snake charmer" holds with his hands. The snake considers the person and pungi a threat and responds to it as if it were a predators.
Snake charmer in Jaipur (India) in 2008
Snake charming is the practice of appearing to hypnotize a snake by playing and waving around an instrument called a pungi. A typical performance may also include handling the snakes or performing other seemingly dangerous acts, as well as other street performance staples, like juggling and sleight of hand. The practice is most common in India, though other Asian nations such as Pakistan,[1] Bangladesh, Sri Lanka, Thailand, and Malaysia are also home to performers, as are the North African countries of Egypt, Morocco and Tunisia.
Ancient Egypt was home to one form of snake charming, though the practice as it exists today likely arose in India. It eventually spread throughout Southeast Asia, the Middle East, and North Africa. Despite a sort of golden age in the 20th century, snake charming is today slowly dying out. This is due to a variety of factors, chief among them the recent enforcement of a 1972 law in India banning ownership of snakes. In retaliation, snake charmers have organized in recent years, protesting the loss of their only means of livelihood, and the government has made some overtures to them.
Many snake charmers live a wandering existence, visiting towns and villages on market days and during festivals. During a performance, snake charmers may take a number of precautions. The charmer typically sits out of biting range and the snake is sluggish and reluctant to attack anyway. More drastic means of protection include removing the creature's fangs or venom glands, or even sewing the snake's mouth shut. The most popular species are those native to the snake charmer's home region, typically various kinds of cobras, though vipers and other types are also used.
Although snakes are able to sense sound, they lack the outer ear that would enable them to hear the music. They follow the pungi that the "snake charmer" holds with his hands. The snake considers the person and pungi a threat and responds to it as if it were a predator.
Snake charmers typically walk the streets holding their serpents in baskets or pots hanging from a bamboo pole slung over the shoulder. Charmers cover these containers with cloths between performances. Dress in India, Pakistan and neighbouring countries is generally the same: long hair, a white turban, earrings, and necklaces of shells or beads. Once the performer finds a satisfactory location to set up, he sets his pots and baskets about him (often with the help of a team of assistants who may be his apprentices) and sits cross-legged on the ground in front of a closed pot or basket. He removes the lid, then begins playing a flute-like instrument made from a gourd, known as a been or pungi. As if drawn by the tune, a snake eventually emerges from the container; if a cobra, it may even extend its hood.
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