Question

How to sing in mix voice?

Answer 1

Singing in mixed voice, also called middle voice or blended voice, means singing in a combination of head voice and chest voice.[1]This produces a full, bright sound that is similar to belting but is less likely to cause injury.[2] It is often employed to bridge the gap between the head and chest registers: when you move from head voice (your higher notes) to chest voice (your lower notes), singing in mixed voice will allow you to sing smoothly without gaps or abrupt changes of tone
1

Find the break between head voice and chest voice. Sing ascending and descending scales. Feel your voice resonate: when do you feel it in your chest, and when do you feel it in your head? You will feel higher notes in your head, and lower notes in your chest. The notes that prompt you to switch from head to chest and vice versa are called your register break.Sing until you are sure which notes prompt you to switch. This will vary depending on how high or low your individual voice is.

2

Sing across your break. Sing the scales again, and try to sing across the break in your register (to avoid the clunk at the break-over point in your voicing). To do this, focus on maintaining the feeling of singing low notes from your chest as the notes begin to rise higher and shift (suddenly) into your head voice. If this feels strange, add your nasal voice to mix with chest voice by singing "ng" (like "ing"), by pronouncing the "g" as "gah" to find and learn this transition. Do scales pronouncing "nnga". Notice holding the "nnn" sound in "ng" is felt in the head/nasal voice area but "ng" blends immediately into the chest voice "ga" felt in the lower/chest-throat area.[3]Your nasal tone may sound unpleasantly twangy at first, but it will strengthen your ability to bridge the break point. As your ability to sing in mixed voice improves, the nasal tone can eventually give way to a blended, pleasant tone by listening to yourself to notice how it sounds. So you culture/cultivate your voice by practicing your blending so your voice is not either head or chest but a blended voice much of the time.Modify your vowels. Vowels work differently in head and chest voices. If you try to force your vowels to remain consistent across your register break, you will not achieve middle voice.Sing elongated vowels gently across your break, and notice where they naturally change. A long "i" (as in "sigh") will become a short "i" (as in "trip."), etc.Begin blending voice before you hit the hard break point. Don't try to jump into your other voice. Rather, realize you're approaching a change to head voice while notes are rising but you're still comfortably below your break upward in the notes. Also, begin blending as you're approaching the shift to chest voice notes while you are still above your break point.

3

Train your larynx to lie low. Learn not to strain, to relax a little. Practice the special sounds that will show you how to naturally lower the tension in your larynx. Sing either word word given below, one-at-a-time:"Gug" on a low note in your range, and continue singing "gug" up and down through a major arpeggio (each of the notes of a major chord sung separately).Sing "Mum" in the same manner. So, your larynx tends to strain to rise as you sing higher notes, but to get to your mixed voice you will want it to stay lower even as you climb to higher notes into the nasal/head voice.