how to you say that pt ravishankar andustad allah rakha were great in human beings
Answers
It was the summer of love, and tens of thousands of what the American singer and songwriter Ottis Reading called the “love crowd”, had gathered at the County fair grounds in Monterey, California, in June 1967. On stage, sitar maestro Pandit Ravi Shankar was playing an evocative afternoon raga — Bhimpalasi — before an entranced audience. It was the third and final day of the annual Monterey Pop Festival, and English rock legend The Who, American guitar great Jimi Hendrix, and rock giants The Grateful Dead were slated to perform after.
Towards the end of the concert, during the jhaala — the fast-paced conclusion of a raga, often characterised by melodic and rhythmic improvisations — Shankar looked to his right, at his accompanying tabla player, Ustad Alla Rakha Qureshi. Then, he stopped playing to let the sound of the complex web of rhythm rising from Rakha’s tabla reverberate across the ground. The audience roared in appreciation just as they would hours later when Hendrix smashed his guitar, or when Janis Joplin would give what is still counted as one of her best performances.
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Answer:
It was the summer of love, and tens of thousands of what the American singer and songwriter Ottis Reading called the “love crowd”, had gathered at the County fair grounds in Monterey, California, in June 1967. On stage, sitar maestro Pandit Ravi Shankar was playing an evocative afternoon raga — Bhimpalasi — before an entranced audience. It was the third and final day of the annual Monterey Pop Festival, and English rock legend The Who, American guitar great Jimi Hendrix, and rock giants The Grateful Dead were slated to perform after.
Towards the end of the concert, during the jhaala — the fast-paced conclusion of a raga, often characterised by melodic and rhythmic improvisations — Shankar looked to his right, at his accompanying tabla player, Ustad Alla Rakha Qureshi. Then, he stopped playing to let the sound of the complex web of rhythm rising from Rakha’s tabla reverberate across the ground. The audience roared in appreciation just as they would hours later when Hendrix smashed his guitar, or when Janis Joplin would give what is still counted as one of her best performances.
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