How was introduction of new composite culture emerged in India?
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One of the most significant frames of India’s cultural aggregation has been the idea of a joint Hindu-Muslim syncretic culture. Indians learn new forms and new aesthetic sensibilities as they inhabit new cultural and political landscapes.
One of the most significant frames of India’s cultural aggregation has been the idea of a joint Hindu-Muslim syncretic culture. Indians learn new forms and new aesthetic sensibilities as they inhabit new cultural and political landscapes.The enduring images of Mahatma Gandhi wearing a loincloth, Mohammad Ali Jinnah in a Savoy-cut Western suit, Jawaharlal Nehru in a kurta and churidar, and Maulana Abul Kalam Azad dressed in a long robe-like achkan tell us more than anything else would about the evolution of a culture of clothing that became subcontinental in its spread in our own lifetime. The idea of a stitched cloth and the technique and mastery of its cut and stitching, evidently coming from West and Central Asia, matched the fine cotton and handloom industry found locally in India. It must have gone a long way in making the Indian subcontinent a land with the most varied sense and choice of clothes in innumerable styles and colours. This phenomenon, which emerged in history through the processes of acculturation and acquisition of tastes and techniques, has also been made possible by the taste and tenor of the society that welcomes newness amidst myriad enduring forms and techniques. The resultant cultural form, an aggregation of these features, is referred to by historians of the early 20th century as the composite culture of India, which they thought was the coming together of the local and those who came from outside and became part of this cultural fact.
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