Identify any relevant painting include in your course of study comprising of the following feature and explain them in that painting accordingly
the tendency of composing crowded scenes involving too many forms and figure in the Mughal miniature painting
Answers
Answer:
Abu’l Fazl held the art of painting in high esteem. Drawing the likeness of anything was called taswir. Many paintings were masterpieces which could be compared with wonderful works of the European painters. The minuteness in detail, the general finish and the boldnesss of execution observed in pictures were incomparable. Such was the observation of Abu’l Fazl about the taswir. The visual material presented in this corresponds to the above description to a great extent in the followings ways :
In the picture, ‘A Mughal Kitabkhana’, every work relating to the preparation of the manuscript has been shown minutely.
In another painting by Abu’l Hasan, Jahangir has been shown dressed in resplendent clothes and jewels, holding up a portrait of his father Akbar. The emperors have been portrayed wearing halo.
In another painting by the artist Prayag, Jahangir is presenting Prince Khurram with a turban jewel. It is a scene from the Badshah Nama. The artist has also used the motif of the lion and the cow peacefully nestling next to each other to signify a realm where both the strong and the weak could exist in harmony. It has been placed in a niche directly below the emperor’s throne.
The above and other paintings — Jahangir shooting the figure of poverty (Abu’l Hasan), Shah Jahan honouring Prince Aurangzeb at Agra before his wedding (Payag), Dara Shukoh’s wedding — meet the above description of Abu’l Fazl
Explanation: