Identify the tools and techniques needed in production of replicas of
artifacts. Tell something about each one.
Answers
Replicas and reproductions are also for purely consumption and personal value. Through souvenirs people can own their very own physical representation of their experience or passions. People can buy on-line full size replicas (museum-quality) of the Rosetta Stone[11] or prints and museum-quality copies of the Mona Lisa and other famous pieces of art.[12]
For example, Difference Engine No. 2, designed by Charles Babbage in the 19th century, was reconstructed from original drawings studied by Allan Bromley in the 1980s and is now on display at the Science Museum in London, England. A second example is Stephenson's Rocket where a replica was built in 1979, following the original design fairly closely, but with some adaptations.
In China the terra-cotta warriors can be recreated to be personalized for customers. The “Talented craftspeople use their hands and proper tools reproducing every masterwork precisely in the same manner as the royal craftsmen did 2200 years ago. They are made from the same local clay as the originals and constructed essentially in the same ancient method.”[13] These warriors can come in a variety of sizes and provide a very realistic and authentic experience with their own personal warrior.
As the white mark prestige comes from the imitation of iPhone, the white marks are the most popular brands in the world. Knock-off brand label fashions and accessories like Louis Vuitton, Coach, Chanel, and Rolex are major labels that often are copied.
Replicas can also be used for re-enactment purposes, for example replicas of steel helmets and leather equipment used in WW2.
Hammer and Anvil Technique. The hammer and anvil technique for removing flakes from a core is perhaps one of the oldest documented methods. ...
Bipolar Technique. ...
Hard Hammer Percussion Technique. ...
Soft Hammer Percussion Technique. ...
Pressure Flaking Technique.
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