In Donne’s poem, the speaker asks God to be violent so that he (the speaker) may be made new. This is an example of a(n) _____.
Answers
There are two possible answers to this query if we arguement on a wider range. Donne utilized conceits often, at the same time, he cleverly employed paradoxes in his lyrics too. The main difference between choosing the correct answer is looking for metaphors and simile around the mentioned scenario. Conceits carry metaphors and similes, while a paradox is the logical representation of an idea which leads to a deeper interpretation.
Anyways, the answer is "paradox."
Explanation:
No utilization of metaphors or similes rules out 'conceit'. Moving on, this illustration is the example of a paradox is elaborated along. Donne and the other metaphysical writers, now and then alluded to as the convention of wit, were attached to utilizing unique amalgamation of words so as to amaze and befuddle their users. Here, the focus is beseeching God not for help, as is normal, but rather for viciousness and violence. It isn't so that brutality can't be related with God (He likewise punishes wrong doers); nonetheless, it is as yet astounding that the speaker would ask for violence for himself rather than effortlessness, sympathy or leniency.
Paradox
This is a case of paradox. Donne and the supernatural artists, some of the time alluded to as the custom of Wit, were enamored with utilizing conundrum so as to astound and confound their per-users. Here, the conundrum is in beseeching God not for leniency, as is normal, but rather for savagery. It isn't so much that viciousness can't be related with God. In any case, it is as yet astounding that the speaker would ask for brutality for himself rather than elegance, empathy or benevolence.