English, asked by jainrushil231, 5 hours ago

In ‘The Merchant of Venice’, what attitude of
Portia can be seen towards the lottery of the caskets
and the suitors who had come to woo her? What
light do the two casket scenes (Act 2, Scene 7 and 9),
throw on the characters of the Prince of Morocco
and The Prince of Arragon respectively.
(500 words

Answers

Answered by seemaupadhyaya125
5

Answer:

which class question is this?

Answered by AnmolJigarChawla
7

Explanation:

At Belmont, in a room in Portia's house, the Prince of Morocco surveys the three caskets — one of gold, one of silver, and one of lead. He must choose one, and if he chooses the correct one, his reward will be the "fair Portia." As he reads the words engraved on the top of each casket, he ponders each of the cryptic inscriptions. On the leaden casket, he reads, "Who chooseth me must give and hazard all he hath"; on the silver casket, he reads, "Who chooseth me shall get as much as he deserves"; and on the golden casket, he reads, "Who chooseth me shall gain what many men desire." Portia informs him that the correct casket contains her picture.

Morocco reviews the inscriptions again and rejects the lead casket as being not worth the high stakes for which he gambles. He ponders a long time over the silver casket. The words "get as much as he deserves" intrigue him. He is quite sure that he deserves Portia; he deserves her "in birth," "in fortune," "in grace," "in qualities of breeding," and most of all, "in love." Yet, ultimately, he rejects the silver casket because he refuses to believe that Portia's father would "immure" a portrait of his treasured daughter in a metal "ten times undervalued [as] tried gold." The prince reasons that a portrait of Portia — a "mortal, breathing saint," a woman whom "all the world desires" — could be only within the golden casket. He chooses, therefore, the golden casket, hoping to find "an angel in a golden bed."

When he unlocks the casket and looks inside, he discovers only a skull ("carrion Death") and a scroll rolled up and inserted within the skull's "empty eye." He takes it out and reads the message: "All that glisters is not gold; . . . Gilded tombs do worms infold." Defeated and grieving, he makes a hasty exit with his entourage. "A gentle riddance," comments Portia.

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