in three hundred words or more, compare The different stages of love the speakers experience in Teadale’s three poems
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Answer:
In three hundred words or more, compare the different stages of love the speakers experience in Teadale’s three
poems “Dew,” “Lights,” and “I Shall Not Care.” Select the poem that fits each of the following categories and cite
evidence from the poems to support your analysis: “falling in love,” “being in love,” or “experiencing failed love
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Answer:
The poems in Love Songs are variations on the theme of love and the different emotions it provokes. Themes are not stated explicitly; they are inferred from clues in a text. In describing her work, Teasdale stressed her appreciation for direct and straightforward expression in terms of language, imagery, and structure: As to my own work, I feel that the best of it is done in brief, exceedingly simple poems. I try to say what moves me—I never care to surprise my reader; and I avoid . . . all words that are not met with in common speech, and all inversions of word or phrases . . . I never use intricate stanzas. The structure of Teasdale’s poems helps show differing attitudes toward love. “I Shall Not Care” uses a simple structure of two quatrains to develop the idea of a spurned woman taking comfort in the pain her death might cause. The first stanza begins with the speaker imagining her death’s impact on her lover: "When I am dead and over me bright April, Shakes out her rain-drenched hair, Though you should lean above me broken-hearted, I shall not care. The second stanza completes the thought by elaborating on the peace death would bring and the sense of satisfaction the speaker would have in repaying her lover’s abandonment: "I shall have peace, as leafy trees are peaceful, When rain bends down the bough, And I shall be more silent and cold-hearted Than you are now." In “Lights,” Teasdale uses the sonnet’s structure to express a more comforting view of love. The first eight lines suggest how love insulates against the dark and the chaos of the city: "When we come home at night and close the door, Standing together in the shadowy room, Safe in our own love and the gentle gloom, Glad of familiar wall and chair and floor, Glad to leave far below the clanging city; Looking far down to the glaring street, Gaudy with light, yet tired with many feet, In both of us wells up a wordless pity;" Teasdale uses the closing sestet to expand upon the “pity” the speaker feels. Unlike the speaker herself, for whom love brightens the world, others in the city use light to make their lives more tolerable:Men have tried hard to put away the dark;A million lighted windows brilliantly, Inlay with squares, And not one wholly joyous, proud, or free. In the poem “Dew,” love is a form of revelation. The first eight lines describe how the dew transforms nature into riches:As dew leaves the cobweb lightly, Threaded with stars, Scattering jewels on the fence, And the pasture bars, As dawn leaves the dry grass bright, And the tangled weeds, Bearing a rainbow gem. On each of their seeds; The poem’s final eight lines complete the extended simile, explaining that love also has this power to transform the ordinary into the extraordinary: So has your love, my lover, Fresh as the dawn, Made me a shining road, To travel on, Set every common sight, Of tree or stone, Delicately alight, For me alone.
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