Art, asked by harman79338i, 7 months ago

Instruction: It is compulsory to answer both questions.
3. (a) Write a short note on Lines,
(b) In a still life, which principles and elements of art needs to be taken care of ?Explain.​

Answers

Answered by srianshuperla
1

a. The color of a transparent object is determined by the wavelength of the light transmitted by it. An opaque object that reflects all wavelengths appears white; one that absorbs all wavelengths appears black.

b. concept - It’s important to have a strong concept of what you want to paint before you lay the first brush stroke down. Many people feel that this means that there has to be some inner, deep, meaning to a painting that only a docent can explain to the viewer. Although this is one concept, it’s not the only one.

value- Value is King.   Being able to recognize the correct value is a process that is learned by squinting.   When I teach, many students judge the shadow value way too light. It’s because we are drawn to the light and when we look at the shadow value with our eyes wide open the light area affects our perception of how dark the shadow is.

Temperature

If Value is King then temperature is Queen and in my opinion just as important as value. Students learn to paint something with a value range but seldom in my experience do teachers explain the important of temperature change.   Where there is light, there is temperature change. This is what separates an average painting from an incredible painting.

Composition and Connectivity

A powerful painting will have a strong connectivity through out the composition. What this means is that there will be a lyrical line that draws you from one element to the next instead of hop skipping and jumping all over the canvas randomly.

Shape

We are so accustomed to painting an element by thinking about that element as what it is. Often students paint an eye by thinking of what we think an eye looks like instead of just seeing that eye as shapes of light and dark, warm and cool, organic or abstract.

Texture and edges

A good still life will have a variety of textures and edges in the paint application. If everything is painted with similar strokes and blended all the same and all your edges are hard then you’ve created monotony. Have areas that are thin and areas that are thicker to create excitement

Harmony

There should be a harmony throughout your painting, A similarity of color relationships. When you sing a song or play one on a piano, you establish the key in which you will sing or play. We all can hear in a song when someone is off key or a wrong note is played.   The same is true for a painting.   If you paint most of the painting with all soft high key colors then paint one element that is screaming in intensity, you’ve just painted a sour note.   Make a decision in the concept stage what your harmony or key that you will be painting is going to be.

Color

The most often question asked by students is also the most irrelevant. “What color are you using?”   Don’t ask yourself what color is it.   Ask yourself what value is it? What temperature is it? How bright or dull is it?   These are the three questions that constantly go through my mind as I paint.   Am I too light or too dark, am I too warm or too cool, and am I too bright or too dull?   Whether you paint an orange with a pure orange or with a yellow orange isn’t as important as that you have your value/temperature/intensity relationships correct.

Paint what you love.

I can’t over emphasize the important of painting what you know and what you love. I love my flowers.   I grow all the flowers I paint. I have a connection to them. I have cared for them and they bloom for me. When I go out to my garden its as if they all shout “Paint me, Paint me!”   I can paint a pig if I want to but I’m not really into pigs so when I paint one you can feel the lack of emotional attachment to it. There are many technically perfect paintings out there but they lack emotion. I would rather look at a 100 imperfect paintings where an artist put their heart and soul into the painting than look at 1 perfect unemotional painting.   Good art comes from the head; great art comes for the heart.

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