introduction about print culture and nationalism
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The emergence of the Indian Ocean region as an important geo-political arena is being studied across a range of disciplines. Yet while the Indian Ocean has figured in Swahili studies and analyses of East and Southern African diasporic communities, it has remained outside the mainstream of African Studies. This introduction provides an overview of emerging trends in the rich field of Indian Ocean studies and draws out their implications for scholars of Africa. The focus of the articles is on one strand in the study of the Indian Ocean, namely the role of print and visual culture in constituting public spheres and nationalisms in, across and between the societies around the Ocean. The themes addressed unfold between Southern and East Africa and India as well as along the African coast from KwaZulu-Natal through Zanzibar and Tanzania to the Arab world. This introduction surveys debates on print culture, newspapers and nationalism in African Studies and demonstrates how the articles in the volume support and extend these areas of study. It draws out the broader implications of these debates for the historiographies of East African studies, Southern African studies, debates on Indian nationalism and Islam.
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Print culture embodies all forms of printed text and other printed forms of visual communication. One prominent scholar in the field is Elizabeth Eisenstein, who contrasted print culture, which appeared in Europe in the centuries after the advent of the Western printing-press (and much earlier in China where woodblock printing was used from 594 AD), to scribal culture. Walter Ong, by contrast, has contrasted written culture, including scribal, to oral culture. Ong is generally considered one of the first scholars to define print culture in contrast to oral culture. These views are related as the printing press brought a vast rise in literacy, so that one of its effects was simply the great expansion of written culture at the expense of oral culture. The development of printing, like the development of writing itself, had profound effects on human societies and knowledge. "Print culture" refers to the cultural products of the printing transformation.
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