Justify the title of the play around the world in 80 days .(70-80) words.
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Even though Robert Morley has firmly announced that this is the end, the film’s title sequence now begins, quite uniquely at the film’s closing. Audiences who had begun to leave their seats sat down again to watch another film, in this case an animated cartoon strip version that combines cunning caricatures worthy of Hirschfeld, Victorian illustrations, Americana, Oriental art, and blatantly cartoony elements all seamlessly stitched together into an illustrated travelogue.
The lively animated sequence is the work of Saul Bass, who began his Hollywood career as a graphic designer creating print advertising for film. In 1954 he was asked to bring his design sensibility to the title sequences for Carmen Jones; the success of this venture led to Bass’ creation of a complete graphics style for films, that included logo designs, posters, and advertising campaigns, as well as the on-screen titles, creating an entire visual identity for the film in the public eye and mind.
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