कला के एक रूप में भरतनाट्यम के स्वरूप की चर्चा कीजिए ।
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Bharatanatyam is considered to be the oldest dance. This dance was developed and circulated by Devdasis in Tamil Nadu. Initially this dance was not found due to the development of Devdasis. But in the early twentieth century this dance was re-established with the efforts of E. Krishna Aiyar and Rukimani Devi. Bharat Natyam has two parts, it is usually done in two parts, the first dance and second acting. Dance is produced from the parts of the body, it is necessary to have juice, sense and imaginary expression.
Bharatanatyam or Chadhar Attam is primarily the classical dance style of South India. It is based on the Natya Shastra (which is 400 BC) of Bharat Muni . At present, this dance style is mainly practiced by women. The inspiration of this dance genre comes from the idols of the ancient temple of Chidambaram.
Bharatanatyam is considered to be the oldest dance. This dance was developed and circulated by Devdasis in Tamil Nadu. Initially this dance was not found due to the development of Devdasis. But in the early twentieth century this dance was re-established with the efforts of E. Krishna Aiyar and Rukimani Devi. Bharat Natyam has two parts, it is usually done in two parts, the first dance and second acting. Dance is produced from the parts of the body, it is necessary to have juice, sense and imaginary expression.
In Bharatanatyam, the physical process is divided into three parts: - The dance sequence is in this way: Bhavnat, Abhanga, Tribhanga Bharat Natyam. Alaripu - The poem (Sollu Kuttu) remains in this part. This is the frequency in the verses. This part is distinguished with tish or mixed rhyme and kiral and honey, it is called the role of this dance-ritual. Jyotisharam - This excerpt is to introduce art knowledge, in which dancers introduce their art knowledge. In this passage, the Raga form is displayed with the Vow series which demands higher art. Sabadam - This is the fraction of the third number. This fraction is the most attractive part in all the parts. In drama the dramatics are described. The dramatics are described for performing multicultural and lyrical dance. Varnam - In this part, different characters of dance art are presented. Quote in the verb, The rhythm and the melody are presented in three. In all the parts of Bharatanatyam this part is the most challenging part of Bharatanatyam. Padam - This part consists of seven winged verandas. This Vandana is in Sanskrit, Telugu, Tamil language. In this part, the dancing performance of the dancer is revealed. Tilana - This part is the last fraction of Bharatanatyam. In this episode, along with multicolored dance songs, different saloons of beauty of woman are shown