kesari movie critical analysis please i will mark first answer as brainliest
Answers
Answer:
prefer u tube...........
Answer:
Kumar feeds the bloodthirst of 2019 by positioning the blood spilled in 1897. The setting may be the famous Battle of Saragarhi, in which 21 Sikh soldiers of the British Indian army take on a battalion of 10000 Afghan tribesmen. But the mood is today’s, the irrational rage is today’s, and the message – of victimization and ruthless defiance – is depressingly today’s. Which is why legends are exploited, and not told, by today’s filmmakers.
Kumar is Ishar Singh, a Sikh soldier whose empathy is established in an opening scene where he rescues a spotlessly pretty Pathani girl from the hands of her male abusers. Even her bruises are aesthetically designed. Singh is then berated for doing this by quintessential British officers who insist on speaking in Lagaan Hindi. He resents them for calling him a slave, and is banished to run a sparsely furnished fort on the Indo-Afghan border. On the way, he sings a song or two with either the memory or the ghost of his wife (Parineeti Chopra). Once he reaches the fort, this transmutates into a typical sports movie in which a hard-assed coach tries to win the loyalty of his new recruits. The banter is boring and forced. This is painful to watch, because we know that each of these useless characters is going to be afforded a proper Border-style goodbye scene when they lay dying and disfigured in the second half. And they will take ages to perish; the bullets have one job, but when has death ever come in between the romance of a strong parting line?
A half-funny rooster joke later, it is revealed that the Afghans – I half-expected to see Alauddin Khilji leading the charge – are planning to infiltrate the country by taking down the Saragarhi fort and its ragtag inhabitants, Ishar Singh’s 36 Sikh Regiment, first. By now, it dawns upon me that even if I’d have walked into the hall in the interval, Kesari would make just as much (non)sense. The bonding and dead wife and fake beards made absolutely no difference to a narrative that was always destined to turn into brainless battlefield porn. Kumar is usually very Kumar-ish, but his character becomes a lovechild of Ajay Devgn and Sunny Deol, and this is a very distressing image.
Explanation:
sorry disha