knowledge of history is essential for newspaper articles
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1knowledge of history is essential to write columns,editorials in the newspaper
2 one needs to know the past event of any news written in the newspaper
3 one needs to know main events like silver,golden jubliees of certain events.
hence knowledge of history is essential for newspaper articles.
hope this helps u
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2 one needs to know the past event of any news written in the newspaper
3 one needs to know main events like silver,golden jubliees of certain events.
hence knowledge of history is essential for newspaper articles.
hope this helps u
plz mark me as brainlist. plz
malik99:
thanks for this
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Anybody who says they can predict the future of newspapers is either a liar or a fool. Look at the raw figures, and newspapers seem gripped by terminal illness. Since 2000, the circulation of most UK national dailies has fallen by between a third and half. The authoritative Pew Research Center in the US reports that newspapers are now the main source of news for only 26 per cent of Americans against 45 per cent in 2001. There is no shortage of Jeremiahs, particularly from the wilder shores of digital evangelism, who confidently predict that the last printed newspaper will be safely buried within 15 years at most.
Yet one of the few reliable laws of history is that old media have a habit of surviving. An over-exuberant New York journalist announced in 1835 that books, theatre, even religion “have had their day” and the daily newspaper would become “the greatest organ of social life”. Theatre outlasted not only the newspaper, but also cinema and then television. Radio has flourished in the TV age; cinema, in turn, has held its own against videos and DVDs. In the first eight months of 2013, US hardback book sales rose 10 per cent while ebook sales fell. Even vinyl records have made a comeback, with sales on Amazon up 745 per cent since 2008.
Newspapers themselves were once new media. Yet as Andrew Pettegree explains in an elegantly written and beautifully constructed account, it took several centuries before they became the dominant medium for news. This was not solely because producing up-to-date news for a large readership over a wide area became practicable and economic only with the steam press, the railway and the telegraph. Equally important was the idea that the world is in constant movement and one needs to be updated on its condition hourly (or even monthly) – a concept quite alien to the medieval world and probably also to most people in the early modern era.
Now, we expect change, as Alain de Botton argues in his playful inquiry into how we read and use the news, to be “continuous and relentless”. We think some extraordinary development may alter reality: a proposal for a new motorway or railway, a cure for a disease previously thought untreatable, a revelation that a once-admired celebrity molested under-age girls. To our ancestors, the only realities were the passing of the seasons, punctuated by catastrophes such as famine, flood or disease that they had no reliable means of anticipating. Life, as de Botton puts it, was “ineluctably cyclical” and “the most important truths were recurring”. Even if regular access to news had been possible, the medieval world wouldn’t have seen the point of it.
Yet one of the few reliable laws of history is that old media have a habit of surviving. An over-exuberant New York journalist announced in 1835 that books, theatre, even religion “have had their day” and the daily newspaper would become “the greatest organ of social life”. Theatre outlasted not only the newspaper, but also cinema and then television. Radio has flourished in the TV age; cinema, in turn, has held its own against videos and DVDs. In the first eight months of 2013, US hardback book sales rose 10 per cent while ebook sales fell. Even vinyl records have made a comeback, with sales on Amazon up 745 per cent since 2008.
Newspapers themselves were once new media. Yet as Andrew Pettegree explains in an elegantly written and beautifully constructed account, it took several centuries before they became the dominant medium for news. This was not solely because producing up-to-date news for a large readership over a wide area became practicable and economic only with the steam press, the railway and the telegraph. Equally important was the idea that the world is in constant movement and one needs to be updated on its condition hourly (or even monthly) – a concept quite alien to the medieval world and probably also to most people in the early modern era.
Now, we expect change, as Alain de Botton argues in his playful inquiry into how we read and use the news, to be “continuous and relentless”. We think some extraordinary development may alter reality: a proposal for a new motorway or railway, a cure for a disease previously thought untreatable, a revelation that a once-admired celebrity molested under-age girls. To our ancestors, the only realities were the passing of the seasons, punctuated by catastrophes such as famine, flood or disease that they had no reliable means of anticipating. Life, as de Botton puts it, was “ineluctably cyclical” and “the most important truths were recurring”. Even if regular access to news had been possible, the medieval world wouldn’t have seen the point of it.
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