Landscape of the soul
Answers
Explanation:
it is commonly happen in mountain areas..
Answer:
These stories reveal the spirit in which art was taken into consideration. Then the writer compares these stories to an old Flanders story from his own country. He finds this story as Western painting’s most representative. A skilled blacksmith named Quinten Metsys fell in love with the daughter of a painter in Antwerp in the 15th century. In such a profession, the girl’s father would not accept a son – in – law. One day, Quinten went secretly to the studio of the painter. He painted a fly on the latest painting by the master. It’s been painted with sensitive realism. The painter was taking it for a real one. He was trying to hit it off. Then the matter was realized. As an apprentice, he took Quinten. Then Quinten got his beloved married.
He became one of his age’s most famous painters. Chinese and Flanders stories above illustrate what each art form is trying to achieve. The goal is a perfect illusionist likeness in Europe. In Asia, the essence of inner life and spirit is stressed. The Emperor of China gets painted a painting. He appreciates his external appearance.
The artist showcases him with the true meaning of his work. The emperor may rule over the region he conquered, but the way is known only to the artist. The painting is gone but his goal has been reached by the artist. He is now beyond the appearance of any material. An actual view is reproduced by Western painting. The European painter wants the beholders to look from a specific angle at a particular landscape, i.e. just as he saw it. The Chinese painter does not select a single viewpoint. His landscape is not a ‘ real’ one. One can enter it from any point and travel in it in a leisurely movement. This is truer in the case of horizontal scroll. Here one slowly opens one section of the painting, then rolls it up and moves on to the other. This adds a real dimension of time.
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