Landscape of the soul all characters Name
Answers
Answer:
Wu Daozi, Quinten Metsis
Explanation:
Synopsis
This story is a beautiful illustration of art by the author. In this chapter, you will see different art forms being compared and the interpretation of these paintings from the artist’s perspective. The author tries to show a comparison of the different art forms based on regions. This chapter deals with stories and myths circulating famous paintings in ancient times. The focus is laid on how realistic the paintings were and how beautifully created.
Character List
Wu Daozi – A painter who lived in the eighth century. His painting was a landscape and was commissioned by Tang Emperor Xuanzong.
Quinten Metsis – Master Blacksmith, who fell in love with a painter’s daughter. As he knew, the girl’s father wouldn’t accept a guy with such a profession, he painted a fly with such profession that he was accepted as an apprentice at the studio.
Theme
In this story Landscape of the Soul, the author presents two instances of paintings to show the beauty and difference in the perception of painters. The first instance is about a Chinese painter who paints a landscape with at most precision for the Emperor.
The Emperor appreciates the outer beauty of the painting, but the artist reveals to him the true meaning of his work. As the story proceeds, it conveys that the Emperor may rule within the kingdom but the artist is the only one who knows his painting within. He is able to travel in his painting, whereas the Emperor is unable. It shows that the painter is able to imagine his painting with his perception, but the Emperor can only see what lies before the eyes and not within.
The second instance is about a blacksmith called Quinten Metsys. He falls in love with a painter’s daughter and realises that the painter will never accept a blacksmith to be his son-in-law. Quinten sneaks into the painter’s studio and paints a fly with such a realistic view, the painter accepts him as an apprentice in his studio. He eventually marries his beloved and becomes a famous painter.
This chapter makes you understand the importance of imagination and how painters have different perceptions. The art form need not be viewed according to a single perception, there can be many ways to imagine one single painting.
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In this chapter, the writer contrasts two forms of art – Chinese art and European art by using two different stories. In China during the eighth century, the Tang emperor Xuanzong commissioned a painter Wu Daozi to decorate a wall in the palace. Upon seeing the wall painting, the Emperor started noticing the outer appearance of the painting but the painter drew his attention to a cave at the foot of the mountain. The painter told the Emperor that he would take him inside. The painter entered the cave and the entrance closed behind him. As soon as the painter clapped his hand, the painting on the wall was gone and so was the painter. In another story, a painter wouldn’t draw an eye of a dragon as he feared that the dragon would fly out of the painting. In another story to represent a European art form, a master Blacksmith falls in love with a painter’s daughter. The father didn’t approve of him because of his profession. The blacksmith sneaked into his painting studio and painted a fly on the painter’s latest panel. The fly seemed so real that the painter tried to hit it first before realizing it was in the painting. The painter accepted him as a trainee in his studio. The blacksmith married the painter’s daughter and later became one of the famous painters of his time. These stories revealed as to how art form is believed to be followed in two different regions in the world. In Europe, an artist wants the viewer to see a real viewpoint by borrowing his eyes. The art must be perfect and must be illusion likeness. Whereas, in China, the artist doesn’t paint a real one but uses his inner and spiritual voice to create an abstract piece. The viewer can enter the painting from any point and can travel according to his own imagination. The artist wants the viewer to enter his mind and create a path of its own. This concept is called ‘Shanshui’ which means ‘mountain water’. When they are used together, they make the word ‘landscape’.