MINDMAP
ALTERNATIVE ASSESSMENT ACTIVITY- 2
2. In the lesson "LANDSCAPE OF THE SOUL "we read
about the "untutored genius "Nekchand and his
contribution to art with anything and everything
from a tin to a sink to a broken down car. With this
outstanding testimony invent some ways and means
in recycling to help environmental conservation.
Write in A4 Sheet in the form of a Paragraph in
about 120 words.
My work
Add work
Answers
Answer:
Explanation:
These stories reveal the spirit in which art was taken into consideration. Then the writer compares these stories to an old Flanders story from his own country. He finds this story as Western painting’s most representative. A skilled blacksmith named Quinten Metsys fell in love with the daughter of a painter in Antwerp in the 15th century. In such a profession, the girl’s father would not accept a son – in – law. One day, Quinten went secretly to the studio of the painter. He painted a fly on the latest painting by the master. It’s been painted with sensitive realism. The painter was taking it for a real one. He was trying to hit it off. Then the matter was realized. As an apprentice, he took Quinten. Then Quinten got his beloved married.
He became one of his age’s most famous painters. Chinese and Flanders stories above illustrate what each art form is trying to achieve. The goal is a perfect illusionist likeness in Europe. In Asia, the essence of inner life and spirit is stressed. The Emperor of China gets painted a painting. He appreciates his external appearance.
The artist showcases him with the true meaning of his work. The emperor may rule over the region he conquered, but the way is known only to the artist. The painting is gone but his goal has been reached by the artist. He is now beyond the appearance of any material. An actual view is reproduced by Western painting. The European painter wants the beholders to look from a specific angle at a particular landscape, i.e. just as he saw it. The Chinese painter does not select a single viewpoint. His landscape is not a ‘ real’ one. One can enter it from any point and travel in it in a leisurely movement. This is truer in the case of horizontal scroll. Here one slowly opens one section of the painting, then rolls it up and moves on to the other. This adds a real dimension of time.
It also requires the viewer’s active involvement— participation that is both physical and mental. The European painter wants to borrow his eyes from the viewer. The Chinese painter wants him to do that. He wants the spectator to come into his mind. The landscape is a spiritual and conceptual space, an inner space. This concept is expressed as ‘ shanshui ‘ meaning ‘ mountain – water ‘ literally. They represent the word ‘ Landscape ‘ when used together. The mountain, while the water is ‘ yin, ‘ is ‘ yang. ‘ Yin and yang interaction is a basic notion of Daoism.
There’s also a third essential element — the middle void, where they interact. This can be compared with pranayama’s yogic practice of breathing in, retaining, breathing out. Breath suspension is the void in which meditation takes place. The middle void is vital. Without it, nothing can happen. Therefore, the unpainted white space in the Chinese landscape is very important. Man finds a fundamental role in this space—between Heaven and Earth. He becomes the medium of communication between both poles of the universe. His presence is essential. He is the eye of the landscape.
The concept of ‘ art brut ‘ or ‘ raw art ‘ was first created by French painter Jean Dubuffet in the 1940s. Then the visionary’s untrained art was of minority interest. The ‘ outsider art ‘ has gradually become the area of interest in international modern art that is growing face test. This particular type of work is the creation of those who have ‘ no right ‘ to be artists because they have not received any formal training, yet they show artistic insight and talent. Nek Chand’s 80-year – old work is the largest contribution to ‘ outsider art ‘ by India. He made a stone – sculpted garden and recycled material. It is now known to the world as the Chandigarh Rock Garden.
Raw Vision, a UK – based magazine pioneer in an outsider art publication, recently released the 50th scene (spring 2005) features Nek Chand and his Rock Garden sculpture ‘ Women by the Waterfall ‘ on the cover of his anniversary issue. His art has been recognized as an exceptional testimony to the difference that a single man can make in living his dream. The Swiss UNESCO Commission will honour him through an interactive five-month show of his work. Nek Chand says the greatest reward for him is to walk through the garden and watch people enjoy his creation.
The recently released 50th scene (spring 2005) of Raw Vision, a UK-based magazine pioneer in an outsider art publication, features Nek Chand, and his Rock Garden sculpture ‘Women by the waterfall’ on its anniversary issue’s cover. His art has been recognised as an outstanding testimony of the difference a single man can make when he lives his dream. The Swiss Commission for UNESCO will be honouring him by way of a five-month interactive show of his works. Nek Chand says that walking through the garden and watching people enjoy his creation is the biggest reward for him.