name the hundred Indian music
Answers
Answer:
I know only pop,slow classical
Explanation:mark it brainliest it is useful to me
The music of India includes multiple varieties of Punjabi Music, classical music, folk music, filmi, Indian rock, and Indian pop. India's classical music tradition, including Hindustani music and Carnatic, has a history spanning millennia and developed over several areas. Music in India began as an integral part of socio-religious life.
The 30,000 years old paleolithic and neolithic cave paintings at the UNESCO world heritage site at Bhimbetka rock shelters in Madhya Pradesh shows music instruments and dance.[1] Mesolithic and chalcolithic cave art of Bhimbhetka illustrates various musical instruments such as harp, drums, gongs, daf etc.[2]
Dancing Girl sculpture (2500 BCE) was found from the Indus Valley Civilization (IVC) site.[3][4][5][6] There are IVC-era paintings on pottery of a man with a dhol hanging from his neck and a woman holding a drum under her left arm.[7]
Vedas (c. 1500 – c. 800 BCE Vedic period)[8][9][10][11] document rituals with performing arts and play.[12][13] For example, Shatapatha Brahmana (~800–700 BCE) has verses in chapter 13.2 written in the form of a play between two actors.[12] Tala or taal is an ancient music concept traceable to Vedic era texts of Hinduism, such as the Samaveda and methods for singing the Vedic hymns.[14][15][16] Smriti (500 BCE to 100 BCE ) post-vedic Hindu texts[17][18][19] include Valmiki's Ramayana (500 BCE to 100 BCE) which mentions dance and music (dance by Apsaras such as Urvashi, Rambha, Menaka, Tilottama Panchāpsaras, and Ravana's wives excelling in nrityageeta or "singing and dancing" and nritavaditra or "playing musical instruments"), music and singing by Gandharvas, several string instruments (vina, tantri, vipanci and vallaki similar to veena), wind instruments (shankha, venu and venugana - likely a mouth organ made by tying several flutes together), raga (including kaushika such as raag kaushik dhwani), vocal registers (seven svara or sur, ana or ekashurti drag note, murchana the regulated rise and fall of voice in matra and tripramana three-fold teen taal laya such as drut or quick, madhya or middle, and vilambit or slow), poetry recitation in Bala Kanda and also in Uttara Kanda by Luv and Kusha in marga style.[20]
Under the Khiljis, there were concerts and competitions between Hindustani and Carnatic musicians.[21] Madhava Kandali, 14th century Assamese poet and writer of Saptakanda Ramayana, lists several instruments in his version of "Ramayana", such as mardala, khumuchi, bhemachi, dagar, gratal, ramtal, tabal, jhajhar, jinjiri, bheri mahari, tokari, dosari, kendara, dotara, vina, rudra-vipanchi, etc. (meaning that these instruments existed since his time in 14th century or earlier).[22] The Indian system of notation is perhaps the world's oldest and most elaborate.[23]
Pann(Tamil: பண்) is the melodic mode used by the Tamil people in their music since the ancient times. The ancient panns over centuries evolved first into a pentatonic scale and later into the seven note Carnatic Sargam. But from the earliest times, Tamil Music is heptatonic and known as Ezhisai (ஏழிசை).[24]
There are several references to music and Panns in the ancient pre-Sangam and Sangam literature starting from the earliest known work Tholkappiyam (500 BCE). Among Sangam literature, Mathuraikkanci refers to women singing sevvazhi pann to invoke the mercy of God during childbirth. In Tolkappiyam, the five landscapes of the Sangam literature had each an associated Pann, each describing the mood of the song associated with that landscape. Among the numerous panns that find mention in the ancient Tamil literature are, Ambal Pann, which is suitable to be played on the flute, sevvazhi pann on the Yazh (lute), Nottiram and Sevvazhi expressing pathos, the captivating Kurinji pann and the invigorating Murudappann