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Numerous times throughout our stay has the concept of the “Elephant” surfaced in our discussions. In this allegory, blind men are feeling what they believe to be seemingly different things—one feels the trunk, another feels a leg—and the belly felt by a third. India is this elephant, with an anatomy that is richly diverse in nearly all its societal facets: in history, in religion, in economy, in language and dialects, in architecture, in the balance of tradition and modernity; in the roles of youth, in the roles of clothing and style, and in the subjective replies to what it means to be Indian. These classifications run wide and deep, creating a mosaic of various shades of what we can refer to as regional identities. The macro-scale reveals the IBM/software India, the industrialized India, the poverty-stricken India, the historically-rich India, and the indigenous (Adivasi) India. And if we narrow our scope, and focus on the day-to-day individualized habits of thought, we can see how the micro-scale is also intrinsically varied—married couples, for instance, can be sought through pre-determined arrangements, impressive ad listings, or through plain old reliable luck (or the lack thereof)! The methods and styles of Saris likewise emulate the micro-scale variations in culture—women drape the Saris over a specific shoulder depending on which region their in. So, before I go into the details
of the trip, I just want to concretize what I believed to be the one big message: India
is vast, India is colourful, and no-matter how it is defined, there is always room to
define it as something else! This is the magic of Elephant of India.
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