plz guys ,give it's explanation....very important.... don't spam..
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Answer:
She walks in beauty, like the night
Of cloudless climes and starry skies;
The poem opens with the same words that form the title: "She walks in beauty." These four simple words quickly create an atmosphere of admiration and mystery. The reader gathers that the poem is, most likely, going to praise a woman's beauty. But this isn't a beautiful woman taking a walk, nor a woman walking beautifully—beauty is something that she walks inside of.
The caesura break after "beauty" allows the reader to consider what it means to be in beauty, as opposed to merely beautiful. That said, the meaning here is fairly ambiguous. It could be that the woman "walks in beauty" because, as a prime example of beauty, she is in a way at its gravitational center. In other words, beauty is drawn to her and surrounds her. This is supported by the idea in lines 3 and 4 (that "dark and bright" light are drawn to the woman's appearance). It could also be that her own beauty somehow makes the world around her more beautiful—like an aura of beauty that surrounds her as she walks. The contrast between "night" and "starry skies" also sets up the poem's central idea: that beauty is a kind of perfection achieved through harmony. In this particular case, it's specifically through a delicate balance of "dark and bright."
An already complicated sentiment is complicated further by the simile that follows. Either the woman, the way she walks, or beauty itself is compared to "the night / of cloudless climes and starry skies." It's a fairly elusive simile because it's not clear exactly which elements of the sentence are being compared—though arguably this heightens the sense of mystery around the woman's unparalleled physical beauty.
The poem also specifies a particular kind of night. These are nights when there isn't a cloud in the sky and the stars are shining bright. Here, then, the poem starts to develop its interplay of light and dark—an antithesis that is resolved in the beauty of the woman. The heavy alliteration (and sibilance) here is deliberately ornamental and decorative, and is meant to suggest physical beauty:
Of cloudless climes and starry skies;
Also worth noting is the way in which the first two lines are paired together through enjambment—they are part of the same sentence. Line 2 is then end-stopped, further reinforcing the sense that the first two lines make a distinct pair. This is quite common in the poem and is suggestive of the idea of beauty as a kind of harmony or perfection—the two lines joining to make each other complete.