postcolonism laagan
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Answer:
Lagaan is a blockbuster Bollywood film directed by Ashutosh Gavarikar. This movie is about a struggle faced by the people of Champaneer village during colonial rule. There can be various postcolonial aspects, few of them are:
Centre/margin: in this film the colonizers are portrayed as the centre or the super power and the colonized portrayed as the other. It gives the colonized the perception that they are inferior to the colonizer. England was one of the super powers during colonization in India, and this is very evident in the film. For instance in the movie the antagonist, Captain Russell, is the decision maker and the villagers have no other choice but to follow them. There is a cultural transition that cuts through Gili-danda to cricket
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ᵘˢⁱⁿᵍ ᵖᵒˢᵗᶜᵒˡᵒⁿⁱᵃˡ, ᵖˢʸᶜʰᵒᵃⁿᵃˡʸᵗⁱᶜ, ˢᵖᵒʳᵗˢ, ᵃⁿᵈ ᶜᵘˡᵗᵘʳᵃˡ ᵗʰᵉᵒʳʸ, ᵗʰⁱˢ ᵃʳᵗⁱᶜˡᵉ ᵉˣᵖˡᵒʳᵉˢ ᵗʰᵉ ʷᵃʸˢ ⁱⁿ ʷʰⁱᶜʰ ᵗᵉᵐᵖᵒʳᵃˡⁱᵗʸ ᶜᵒⁿˢᵗⁱᵗᵘᵗᵉˢ ᵃ ᶜʳᵘᶜⁱᵃˡ ᵉˡᵉᵐᵉⁿᵗ ᵒᶠ ᵗʰᵉ ➋⓿⓿➋ ᵇᵒˡˡʸʷᵒᵒᵈ ᵐᵒᵛⁱᵉ, ˡᵃᵍᵃᵃⁿ. ⁱⁿ ᶜʳⁱᵗⁱᵠᵘⁱⁿᵍ ᵗʰⁱˢ ᶠⁱˡᵐ ᵃᵇᵒᵘᵗ ᶜʳⁱᶜᵏᵉᵗ, ᵗʰᵉ ᵃʳᵗⁱᶜˡᵉ ᵉˣᵖˡⁱᶜᵃᵗᵉˢ ʰᵒʷ ᵗʰᵉ ᵖᵒˡⁱᵗⁱᶜᵃˡ ᵐᵒᵐᵉⁿᵗ ᵗʰᵃᵗ ⁱˢ ᵗʰᵉ ⁱⁿᵈⁱᵃⁿ ᵖʳᵉˢᵉⁿᵗ ᶠᵘⁿᶜᵗⁱᵒⁿˢ ᵃˢ ᵃ ᵖʳᵒᵇˡᵉᵐᵃᵗⁱᶜ ᵇᵃᶜᵏᵈʳᵒᵖ ᵗᵒ ˡᵃᵍᵃᵃⁿ, ʷʰⁱᶜʰ ⁱˢ ˢᵉᵗ ᵃᵗ ᵗʰᵉ ᵉⁿᵈ ᵒᶠ ᵗʰᵉ ➊➒ᵗʰ ᶜᵉⁿᵗᵘʳʸ. ᵗʰᵉ ᶠⁱˡᵐ ⁱˢ ʳᵉᵃᵈ ᵃˢ ᵗᵉˣᵗ ᵗʰᵃᵗ ⁱⁿʰᵃᵇⁱᵗˢ, ᵃⁿᵈ ᵃʳᵗⁱᶜᵘˡᵃᵗᵉˢ, ᵃ ᵈᵒᵘᵇˡᵉ ᵗᵉᵐᵖᵒʳᵃˡⁱᵗʸ: ˡᵃᵍᵃᵃⁿ (“ᵗᵃˣ” ⁱⁿ ʰⁱⁿᵈⁱ) ⁱˢ ᵃ ᵐᵒᵛⁱᵉ ᵗʰᵃᵗ ˡᵒᵒᵏˢ, ˢⁱᵐᵘˡᵗᵃⁿᵉᵒᵘˢˡʸ, ᵗᵒ ᵗʰᵉ ᶜᵒˡᵒⁿⁱᶻᵉᵈ ᵖᵃˢᵗ ᵃⁿᵈ ᵗʰᵉ ᵖᵒˢᵗᶜᵒˡᵒⁿⁱᵃˡ ᵖʳᵉˢᵉⁿᵗ. ᶜʳⁱᶜᵏᵉᵗ ⁱˢ ᵖᵒˢⁱᵗᵉᵈ ᵃˢ ᵖⁱᵛᵒᵗᵃˡᵗᵒ ᵗʰᵉ ᵃⁿᵗⁱᶜᵒˡᵒⁿⁱᵃˡ ᵖʳᵒʲᵉᶜᵗ, ᵃⁿᵈ ˡᵃᵍᵃᵃⁿ ᵈᵉᵐᵒⁿˢᵗʳᵃᵗᵉˢ ʰᵒʷ ᵗʰᵉ ⁱᵐᵃᵍⁱⁿᵉᵈ “ⁱⁿᵈⁱᵃⁿ” ⁿᵃᵗⁱᵒⁿ (ʷʰⁱᶜʰ ⁱⁿᶜˡᵘᵈᵉˢ ᵃˡˡ ᵒᶠ ᵗʰᵉ ᵃˢⁱᵃⁿ ˢᵘᵇᶜᵒⁿᵗⁱⁿᵉⁿᵗ) ᶜᵒⁿᶠˡⁱᶜᵗˢ ʷⁱᵗʰ ᵗʰᵉ ⁱⁿᵈⁱᵃⁿ ᵃⁿᵈ ᵖᵃᵏⁱˢᵗᵃⁿⁱ ⁿᵃᵗⁱᵒⁿˢ ᵗʰᵃᵗ ᵉᵐᵉʳᵍᵉᵈ ᵃᶠᵗᵉʳ ᵗʰᵉ ᵖᵃʳᵗⁱᵗⁱᵒⁿ ᵒᶠ ᵗʰᵉ ʳᵃʲ. ᵗʰⁱˢ ᵃʳᵗⁱᶜˡᵉ ˢʰᵒʷˢ ʰᵒʷ ᵗʰᵉˢᵉ ᵐᵃⁿʸ ⁱᵈᵉᵒˡᵒᵍⁱᶜᵃˡ ᵖʳᵉˢˢᵘʳᵉˢ ᵒᵖᵉʳᵃᵗᵉᵈ ⁱⁿ “ⁱⁿᵈⁱᵃⁿ” ˢᵒᶜⁱᵉᵗʸ ᵃⁿᵈ ᵃᶠᶠᵒʳᵈˢ ᵍᵉⁿᵈᵉʳ ᵃ ᶜʳⁱᵗⁱᶜᵃˡ ᵖᵃʳᵗ ⁱⁿ ᵗʰᵃᵗ ᵃⁿᵃˡʸˢⁱˢ.
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