Q. Discuss how Shakespeare uses the supernatural prophetic abilities of the three witches to manipulate Macbeth and his wife. (Words 250-300)
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Answer:
The Power of the Witches in Macbeth. Myths and religions often include divine or devilish beings with incredible powers. William Shakespeare incorporated witches with bizarre powers in his play, Macbeth. These witches possessed devilish powers to set the course of events in the plot and added to the flavor of the story. The witches' powers included omnientness, vision and apparition creation, and the ability to set the conditions for disaster, and the utilization of these abilities sets the movement of the play.
As opening characters in the story, the witches establish the major theme of the tale and predict future events. Upon hinting of their insight to the end of the war and revealing their relationship with demonic forces, the witches call out, "Fair is foul, and foul is fair,"(I, i, 12). In his first meeting with the Weird Sisters, Banquo questions the witches powers and asks, "If you can look into the seeds of time and say which will grow and which will not?"(I, iii, 65). The witches prophecies linger through the story and reveal their accuracy, and Banquo takes notice and comments to Macbeth, "I dreamt last night of the three Weird Sisters. To you they have showed some truth,"(II, i, 25). The witches prophecies place an underlying thought in Macbeth and Banquo's minds and hide there throughout their actions with an ever-present influence.
Answer:
Throughout the play, the witches—referred to as the “weird sisters” by many of the characters—lurk like dark thoughts and unconscious temptations to evil. In part, the mischief they cause stems from their supernatural powers, but mainly it is the result of their understanding of the weaknesses of their specific interlocutors—they play upon Macbeth’s ambition like puppeteers.
The witches’ beards, bizarre potions, and rhymed speech make them seem slightly ridiculous, like caricatures of the supernatural. Shakespeare has them speak in rhyming couplets throughout (their most famous line is probably “Double, double, toil and trouble, / Fire burn and cauldron bubble” in 4.1.10–11), which separates them from the other characters, who mostly speak in blank verse. The witches’ words seem almost comical, like malevolent nursery rhymes. Despite the absurdity of their “eye of newt and toe of frog” recipes, however, they are clearly the most dangerous characters in the play, being both tremendously powerful and utterly wicked
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