raag bageshwari dhrupad and chhota khyal
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The singing of Bada Khayal in Bhupali is reinforced with the Aalap within the Bandish in Vilambit Ektaal. The Trivat in Bhupali is sung with rhythmic improvisation concepts. Raga Bhimpalasi Chhota Khayal is revisited with extempore Aalap. Dhrupad composition in Sooltaal is also in Bhimpalsi, a Gambhir Raga. Raga Bageshri is introduced and a Chhota Khayal is learnt. Theory: A detailed learning of Raga characteristics Bhimpalasi. Raga knowledge as gleaned from three ancient texts from three different time periods in the history of Classical music, including an understanding of terms defining Raga Lakshanas- Graha, Amsha Nyas as applied to Gayaki.
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