Question

Recount the two stories and explain how the moral taught by them had a great impact on RK Laxman life and creativity

Answer 1

Answer:

If someone visits our place after 6pm, we wish them Good evening. But after the communication is over, when they are leaving our place we wish them good bye and good night. ... So we have that when meeting someone at 6.30pm, it is correct to say Good evening . But while leaving we must say good bye and good night.

hope it helps .....

plz make me the brainliest

Answer 2

Answer:

Explanation:

Rasipuram Krishnaswami Iyer Laxman was born in 1921, in Mysore, as the youngest child of an Iyer family. Being the youngest was his ticket to being pampered, especially by his mother, whom he was very close to. “I really loved my mother” he recalled in an interview with MoneyLife. It is of no surprise then that his earliest memories of drawing trail back to her. He would follow her into the vegetable market with books, pencils and an inquisitive eye that spared no one. Pencils and paper weren’t a prerequisite for this young artist, and so, a lack of them didn’t stop him. The floors and walls of his home became canvases where Laxman unleashed his imagination. His subjects were sometimes unsuspecting strangers and sometimes his own horrified father. Due to his father’s well-known and respected presence in the locality, Laxman grew up meeting people of many backgrounds – artists, writers, dancers and film personalities even. Such a rich atmosphere for a curious boy like Laxman undoubtedly fuelled his imagination. Most of his time in school was spent observing other students and teachers. He got himself into trouble once for depicting one of the teachers as a tiger cub. In his autobiography, Laxman recalls another teacher’s response, this time a praise, for drawing a peepal leaf – “You will be an artist one day. Keep it up.” – and the impact this had on him – “I was inspired by this unexpected encouragement. I began to think of myself as an artist in the making, never doubting that this was my destiny.” As a young boy, Laxman inspired two short stories of his older brother and now a renowned writer, R.K. Narayan – The Regal cricket club and Dodu, the money maker. The latter went on to win a literary award much to Laxman’s surprise because he didn’t know his brother was a writer “till one day the postman delivered a magazine called The Merry Magazine. An announcement in it said that Narayan had won a literary prize for his short story.” Laxman was of course delighted to know that the hero of the story was named after him. Although Laxman immersed himself in many illustrations and cartoon strips, the work that influenced him the most was that of Sir David Low, a British cartoonist. His was therefore beyond ecstatic when Low came to visit him years later in the TOI office. Publisher J.C Jain recalls, “When I rang Laxman to tell him Low wanted to see him. Laxman almost sank in his chair out of disbelief.” It was when Laxman was still studying in high school that his father died, unable to recover from a paralytic stroke. This shook his otherwise stable childhood, but he recovered and soon finished his schooling. He knew now for sure that all he wanted was to become an artist. He therefore applied to J.J School of Art in Mumbai for a short art course. He was, however, faced with rejection as the school didn’t consider him talented enough for enrolment. Years later, when he was established in TOI, the same school invited him as a chief guest. Laxman humbly accepted their offer but “was forced to admit in my speech that the institution long ago had turned down a young aspirant from Mysore. But thank God they did: if I had got in I would have ended up in some commercial studio.” Sign up for Newsletters Check out our popular newsletters and subscribe Undeterred by this rejection, Laxman continued drawing while studying for a Bachelor of Arts in the University of Mysore. During this time, he contributed political cartoons to Swatantra, and comic strips to Koravanji, a witty Kannada magazine. The Founder of the latter, Dr M Shivaram, liberally encouraged him, which fortified Laxman’s morale as an artist. He also illustrated some of his brother’s short stories published in The Hindu, for which he received a handsome sum of Rs 2.50 per illustration. Having now graduated with a degree in Politics, Philosophy and Economics – subjects that, as we now know, piquantly complemented his cartoons to come – Laxman worked for a brief time in the animation department of Gemini studios, Chennai. But he