Refugee Mother and Child" is one of Achebe's prime statements about the plight of Africa. Elucidate.
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very well-known for his work on post-colonialism; his upbringing in southeastern Nigeria made his childhood a firsthand experience into the world of colonialism and has fuelled such works as Things Fall Apart, the most well-known work of African literature today. Most don’t even associate the name Achebe with his poetry, and yet poems such as Refugee Mother and Child prove that the incredible talent Achebe possessed with the written word did not end with novels alone. Chinua Achebe’s Rufugee Mother and Child, can be read in full here.

Refugee Mother and Child Analysis
Stanza 1
No Madonna and Child could touch
(…)
The air was heavy with odours
Refugee Mother and Child is written in a very free-form kind of style. The phrasing and grammar of each line make it feel as though this work is only a work of poetry because of the spacing — you would write, for instance, that “No Madonna and Child could touch that picture of a mother’s tenderness for a son she would soon have to forget;” It is a complete sentence. And yet, it flows extremely well as a poem. The language itself is what is poetic. Use of the Madonna and Child imagery — referencing the popular imagery of the Virgin Mary holding her Son in her arms — immediately contrasts a beautiful image with a horrible one. To say that the beautiful image cannot touch the terrible one can be telling of a number of things. Perhaps it means that religion is of no comfort, or perhaps it means that the most beautiful image in the world cannot compare to a mother’s love.
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