S H RAZAs Art work and its application
nesthangam:
IS PICTURES ENOUGH
no i need the details of his art work along with its application
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hope it helps u...................
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thanks but can i get more details on his artwork and its application
yah sure............i try
By the 1970s Raza had grown increasingly unhappy and restless with his own work and wanted to find a new direction and deeper authenticity in his work, and move away from what he called the 'plastic art'. His trips to India, especially to caves of Ajanta - Ellora, followed by those to Benaras, Gujarat and Rajasthan, made him realise his ro and study Indian culture more closely, the result was 'Bindu',[21] which signified his rebirth as a painter.[22] The Bindu came forth in 1980, and took his wo
rk deeper and brought in, his new-found Indian vision and Indian ethnography. One of the reasons he attributes to the origin of the 'Bindu', have been his elementary school teacher, who on finding him lacking adequate concentration, drew a dot on the blackboard and asked him to concentrate on it.[23]
After the introduction of 'Bindu' (a point or the source of energy), he added newer dimensions to his thematic oeuvre in the following decades, with the inclusion of themes around the Tribhuj
After the introduction of 'Bindu' (a point or the source of energy), he added newer dimensions to his thematic oeuvre in the following decades, with the inclusion of themes around the Tribhuj
Triangle), which bolstered Indian concepts of space and time, as well as that of 'prakriti-purusha' (the female and the male energy), his transformation from an expressionist to a master of abstraction and profundity, was complete
The unique energy vibrating with colour in his early landscapes are now more subtle but equally, if not more, dynamic. Raza abandoned the expressionistic landscape for a geometric abstraction and the 'Bindu'.[4] Raza perceives the Bindu as the center of creation and existence progressing towards forms and colour as well as energy, sound, space and time.
His work took another leap in 2000, when he began to express his increasingly deepened insights and thoughts on Indian spiritual, and created works around the Kundalini, Nagas and the Mahabharat.[21]
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It(awesome paintings) is used in museums
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