Satyajit Ray biography
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a went on to achieve great acclaim. The cast consisted of mostly amateur actors. After unsuccessful attempts to persuade many producers to finance the project, Ray started shooting in late 1952 with his personal savings and hoped to raise more money once he had some footage shot, but did not succeed on his terms.[21] As a result, Ray shot Pather Panchali over two and a half years, an unusually long period, based on when he or his production manager Anil Chowdhury could raise additional funds.[21] He refused funding from sources who wanted to change the script or supervision over production. He also ignored advice from the Indian government to incorporate a happy ending, but he did receive funding that allowed him to complete the film.[22] Ray showed an early film passage to the American director John Huston, who was in India scouting locations for The Man Who Would Be King. Impressed with what he saw, Huston notified Monroe Wheeler at the New York Museum of Modern Art (MoMA) that a major talent was on the horizon.[23]