See any three short award winning animated movies and
write a review on each in 50-60 words on A4 size paper and
give it to your English teache
Answers
Answer:
no answer OK byy good night
1. “Steamboat Willie” (Walt Disney, 1928)
What is it?
Before he acquired vocal cords and became the greatest cultural icon on earth, Mickey Mouse was a humble sailor who inhabited a world where everyone was unflaggingly chirpy and everything was a potential musical instrument. For want of dialogue or an engaging plot, music—whistling, drumming, mooing and a whole lot of toe-tapping—is what drives “Steamboat Willie” forward (hardly surprising, given that it was the first cartoon to use fully synchronized sound). And so the seeds for Disney’s hummable song-and-dance numbers were sown.
What’s so great about it?
Today “Steamboat Willie” appears insensitive in its depiction of animal abuse (animals are used as musical instruments). But it’s nonetheless a groundbreaking work, which set the tone for everything from “Tom and Jerry” to “The Itchy & Scratchy Show” (who repaid the debt of influence with a hilarious parody). It’s also proof that Uncle Walt was more than just the suave businessman from Saving Mr. Banks—he could actually draw, too.
2. “Storytime” (Terry Gilliam, 1968)
What is it?
Those who know Terry Gilliam via his live-action features will have detected a strong current of cartoonish mischief running through his films. Those who’ve seen his contributions to Monty Python’s Flying Circus won’t need to be convinced of his genius as an animator. But few are aware of the handful of shorts that he made before leaving the U.S. for the U.K., of which “Storytime,” his debut, is the best. Ignore the title: What’s going on here storywise is almost beside the point (if we tell you that the film culminates with the Three Wise Men being chased through a series of Christmas cards, you’ll get the idea).
Explanation:
3. Home on the Rails” (Paul Driessen, 1981)
What is it?
A couple lives in a house situated on the railroad tracks. They lead a peaceful domestic life, despite the periodic interruptions of the train passing through their living room; but when the husband—a gold prospector—falls down on his luck, the train comes to assume a more ominous significance.