Short story of rani padmavaat in eng
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There’s a thing about history, we are never sure what exactly happened because often, the facts get mutated with the ravages of time and travel. Similarly, the story, is wrought in various versions, some claiming her to have been defeated by Ratan Sen in sword fighting that made her marry him, others suggesting that it was her talking parrot that led to the union of the two lovers.
If we talk about the current era of social media, discourses about history are innumerable and untraceable. Nevertheless, there’s one thing that runs common in all the versions: she was a woman of unprecedented beauty. And the ‘Johar Kund’ in Chittorgarh where Rani Padmavati performed ‘jauhar’ (custom of self-immolation by women) more than seven hundred years ago is a place as significant as, let’s say, the Western Wall or the Ka’bah in Mecca.
the of Rani Padmini has given her a goddess-like stature in the history of the state because it was among the first three major Sakas of Chittorgarh. The antagonist, hence, is Allauddin Khilji who attacked Chittor and led to Ratan Sen’s execution.
When history begins informing a theocratic identity, sensitivities of people begins to run mountain high. If anything, even seemingly, threatens or distorts the roots, a sense of anger and victimhood is inevitable. Such sentiments have led to the protest against Sanjay Leela Bhansali’s magnum opus, ‘Padmavati’.
However, it isn’t as simple as that. There are many, many versions to the history of Rani Padmini and here we look at all these versions.
It is interesting to note that earlier accounts of Alauddin Khilji’s conquest of Chittorgarh make no mention of Rani Padmavati. The first mention that has been made of the queen is in the epic poem written in Awadhi language by Malik Mohammad Jayasi titled ‘Padmavat’.
‘Padmavat’ by Malik Mohammad Jayasi
She was the daughter of the king of Singhal kingdom, former Sri Lanka, and was close friends with a talking parrot, a friendship that her father resented. So, the parrot was ordered to be executed but it somehow escaped and managed to reach the local king Ratan Sen. The parrot was all-praises for the beauty of Rani Padmavati and so, Ratan Sen determined to marry her. In his pursuance of her, he reached Singhal and a love chase followed. They couldn’t meet but it led to a chain of events that ultimately got them together and married. However, an enmity ensued between Padmavati and the first wife of Ratan Sen, Nagmati.
Raghav Chetan, a Brahmin, was banished by Ratan Sen from his court for fraud. Raghav reached Alauddin Khalji, the sultan of Delhi and was full of praises for Rani Padmavati. Alauddin then got bent on obtaining her and hence, besieged Chittor. He failed to conquer and offered a fake peace treaty to Ratan Sen and deceitfully captured him. However, a sequence of events followed and Ratan Sen was released from his captivity by his loyal feudatories Gora and Badal who entered his fort by disguising as Rani Padmavati while they sat inside the palanquin. In the meanwhile, Rani Padmavati was proposed by Devpal, the king of Kumbhalner. When Ratan Sen returned, a fatal fight ensued between the two kings and they killed each other. As this happened, Alauddin attacked Chittor. Nagmati and Padmavati had no option but to perform sati, or self-immolation, on Ratan Sen’s funeral pyre.
If we talk about the current era of social media, discourses about history are innumerable and untraceable. Nevertheless, there’s one thing that runs common in all the versions: she was a woman of unprecedented beauty. And the ‘Johar Kund’ in Chittorgarh where Rani Padmavati performed ‘jauhar’ (custom of self-immolation by women) more than seven hundred years ago is a place as significant as, let’s say, the Western Wall or the Ka’bah in Mecca.
the of Rani Padmini has given her a goddess-like stature in the history of the state because it was among the first three major Sakas of Chittorgarh. The antagonist, hence, is Allauddin Khilji who attacked Chittor and led to Ratan Sen’s execution.
When history begins informing a theocratic identity, sensitivities of people begins to run mountain high. If anything, even seemingly, threatens or distorts the roots, a sense of anger and victimhood is inevitable. Such sentiments have led to the protest against Sanjay Leela Bhansali’s magnum opus, ‘Padmavati’.
However, it isn’t as simple as that. There are many, many versions to the history of Rani Padmini and here we look at all these versions.
It is interesting to note that earlier accounts of Alauddin Khilji’s conquest of Chittorgarh make no mention of Rani Padmavati. The first mention that has been made of the queen is in the epic poem written in Awadhi language by Malik Mohammad Jayasi titled ‘Padmavat’.
‘Padmavat’ by Malik Mohammad Jayasi
She was the daughter of the king of Singhal kingdom, former Sri Lanka, and was close friends with a talking parrot, a friendship that her father resented. So, the parrot was ordered to be executed but it somehow escaped and managed to reach the local king Ratan Sen. The parrot was all-praises for the beauty of Rani Padmavati and so, Ratan Sen determined to marry her. In his pursuance of her, he reached Singhal and a love chase followed. They couldn’t meet but it led to a chain of events that ultimately got them together and married. However, an enmity ensued between Padmavati and the first wife of Ratan Sen, Nagmati.
Raghav Chetan, a Brahmin, was banished by Ratan Sen from his court for fraud. Raghav reached Alauddin Khalji, the sultan of Delhi and was full of praises for Rani Padmavati. Alauddin then got bent on obtaining her and hence, besieged Chittor. He failed to conquer and offered a fake peace treaty to Ratan Sen and deceitfully captured him. However, a sequence of events followed and Ratan Sen was released from his captivity by his loyal feudatories Gora and Badal who entered his fort by disguising as Rani Padmavati while they sat inside the palanquin. In the meanwhile, Rani Padmavati was proposed by Devpal, the king of Kumbhalner. When Ratan Sen returned, a fatal fight ensued between the two kings and they killed each other. As this happened, Alauddin attacked Chittor. Nagmati and Padmavati had no option but to perform sati, or self-immolation, on Ratan Sen’s funeral pyre.
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