sir/madam . What will be the notations style for writing the taals like tritaal kehrava dadara rupak etc in pandit pulaskar ji style.
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The history of Indian musical notation is very rich. Musical treatises have appeared throughout Indian history going all the way back to the Vedas.
The Vedic hymns were typically sung in three notes. The central note was referred to as the "udatta". This was the default state and needed no notational element. The upper note was called the "swarita". This was denoted with a small vertical line over the syllable. The lower note was called the "anudatta" and was denoted with a horizontal line underneath the syllable.
The Sangeet Ratnakar is a musical treatise written in the 13th century by Sharangdev. It is replete with well notated musical examples.
Musical notations were used in a variety of texts through the next few centuries. They were in many languages and a variety of scripts.
Modern musical notation may be said to have begun with Vishnu Digambar Paluskar at the turn of the 20th century. Paluskar's notational system was used by music colleges in Northern India for the next few decades. An example of Paluskar's notation is shown below:
Lippi #1
Although Paluskar's system was precise, it was difficult. It was soon to be replaced with an equally precise system, but one which was more intuitive. This system was introduced by Vishnu Narayan Bhatkhande. Today it is his system which has become the standard. An example of Bhatkhande's notational system is shown below:
(At the end the first pic)
Lippi #2
There are a few other minor systems that may sometimes be found. One of which is Western staff notation. Although this makes Indian music accessible to Europeans and Americans, it has a poor acceptance. Another is the system in use by the Ali Akbar College. There are probably other minor systems as well, but any notation other than Bhatkhande's is marginal and may be discounted. They clearly do not have a wide acceptance.
The Vedic hymns were typically sung in three notes. The central note was referred to as the "udatta". This was the default state and needed no notational element. The upper note was called the "swarita". This was denoted with a small vertical line over the syllable. The lower note was called the "anudatta" and was denoted with a horizontal line underneath the syllable.
The Sangeet Ratnakar is a musical treatise written in the 13th century by Sharangdev. It is replete with well notated musical examples.
Musical notations were used in a variety of texts through the next few centuries. They were in many languages and a variety of scripts.
Modern musical notation may be said to have begun with Vishnu Digambar Paluskar at the turn of the 20th century. Paluskar's notational system was used by music colleges in Northern India for the next few decades. An example of Paluskar's notation is shown below:
Lippi #1
Although Paluskar's system was precise, it was difficult. It was soon to be replaced with an equally precise system, but one which was more intuitive. This system was introduced by Vishnu Narayan Bhatkhande. Today it is his system which has become the standard. An example of Bhatkhande's notational system is shown below:
(At the end the first pic)
Lippi #2
There are a few other minor systems that may sometimes be found. One of which is Western staff notation. Although this makes Indian music accessible to Europeans and Americans, it has a poor acceptance. Another is the system in use by the Ali Akbar College. There are probably other minor systems as well, but any notation other than Bhatkhande's is marginal and may be discounted. They clearly do not have a wide acceptance.
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I have a doubt about this answer.....
Sorry....
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