social conditions of train to busan
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The paper focuses on the sociological analysis of images of the future of modern society presented in Train to Busan, filmed by the South Korean movie director Yeon Sang-ho. The content analysis of this Korean film reveals a gallery of social portraits and social strata of modern society. The author’s interpretation of the plot and discourse analysis are based on Beck’s theory of the risk society, Burawoy’s public sociology, and the scientific hypothesis and prediction provided by researchers of the future of capitalism Wallerstein, Collins, Mann and others. In order to understand how artistic and theoretical constructs are transformed into a construction of social reality, the author has studied interviews and reviews published in the Russian and foreign media.
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