summary of alif laila story in (300 words)
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Alif Laila (The Arabian Nights, also known as The Thousand and One Nights), is a collection of original talks or stories in Arabic. Popularized during the Middle Ages; it offers an inexhaustible fund of pleasure. No other body of Asian writing, except The Bible, perhaps, has had such large readership. Most of the stories are of unknown origin, having survived with Indian and Arabian folklore. As early as the 10th century some of its 264 tales were transmitted orally by story tellers in the Muslim world. By about the middle of the 15th century the work had assumed its present form. The different stories were organized within a frame-tale in the manner of the much older Panchatantra, Boccaccio’s famous cycle of stories, or theCanterbury Tales of Chaucer.
Scheherazade is a legendary Persian queen and the main storyteller of One Thousand and One Nights.
Scheherazade is a legendary Persian queen and the main storyteller of One Thousand and One Nights.
The frame-tale recounts how the jealous sultan Shahryar convinced of the faithlessness of women, married a new wife each evening and put her to death the following morning, until his bride Scheherazade won a reprieve by starting a story on her wedding night and terminating it tantalizingly before its climax, thereby retaining its interest. Thus she kept winning a delay of execution for one thousand nights, during which time she produced three male heirs and amply demonstrated the faithfulness of the female.
Answer:
Alif Laila (The Arabian Nights, also known as The Thousand and One Nights), is a collection of original talks or stories in Arabic. Popularized during the Middle Ages; it offers an inexhaustible fund of pleasure. No other body of Asian writing, except The Bible, perhaps, has had such large readership. Most of the stories are of unknown origin, having survived with Indian and Arabian folklore. As early as the 10th century some of its 264 tales were transmitted orally by story tellers in the Muslim world. By about the middle of the 15th century the work had assumed its present form. The different stories were organized within a frame-tale in the manner of the much older Panchatantra, Boccaccio’s famous cycle of stories, or theCanterbury Tales of Chaucer.