Question

TAKE AWAY POINTS FROM THE CHAPTER LANDSCAPE OF SOUL CLASS 11 HORNBILL ATLEAST 3 POINTS

Answer 1

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• In this story Landscape of the Soul, the author presents two instances of paintings to show the beauty and difference in the perception of painters. The first instance is about a Chinese painter who paints a landscape with at most precision for the Emperor.
• The concept of the Middle Void can be made clear by comparison to the yogic practice of pranayama. We breathe in, retain breath and breathe out. The suspension of breath is the Void where meditation occurs. Hence the white, unpainted space has a special importance in Chinese landscape.
• ‘Landscape of the Soul: Ethics and Spirituality in Chinese Painting’, we learn about the art of painting through two stories. The first one is about a very popular Chinese painter, Wu Daozi. It is about the eighth century when he was hired by the Tang Emperor Xuanzong to adorn a wall of the palace.

Answer 2

Written by Nathalie Trouveroy, the chapter is about how different the Chinese Art form is, from the European art form. The writer uses two stories to make a contrast. European art is about reproducing an actual view whereas Chinese art is about not creating a real landscape. European art is an artist’s way to let viewers show exactly what he wants them to see in the landscape. Chinese art is the artist’s spiritual and inner voice where you can travel from any point and it lets the viewer creates a path for their imagination.

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