ठगायन, वादन और नृत्य के मेल को कहते हैं है
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Answer:
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Explanation:
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Answer:
You said The combination of thugayan, instrumental and dance is called
Explanation:
The answer is:
Dance Resources: Dance Styles and History
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Dance Styles and History
African and African-American Dance is a broad term referring to the many dance styles from the cultures and countries of the African continent, but particularly Southern Africa. African dance most often refers to traditional social dance, and to ceremonial or religious dance—danced communal religious observances led either by priests or girots who perform ritual dance-dramas that share cultural traditions or community history through metaphorical statements expressed in music and dance.
African dance has also been an important influence on social dance in all parts of the African Diaspora, but particularly throughout the Americas and the Caribbean, and on modern dance since the second half of the 20th Century. Dance scholar, Brenda Dixon Gottschild, wrote in 1993, “Any serious attempt to study Black dance (in the United States) demands a study of African and New World Black cultures.”
African dance is polyrhythmic—the simultaneous sounding of two or more independent rhythms in drummers and dancers, the relationship of rhythm to movement is key. African dance is notable for the close, multi-directional relationships among participants, often called a conversation, between drummer and dancer, and also drummer to drummer and dancer to dancer. During stage performances the fourth wall often comes down, communication extending between dancer, drummers, and audience members.
African dances are performed in lines or circles of dancers. The body is used asymmetrically. All parts of the body articulate in African dance; arms, legs, and torso all appearing angular, bent, the body slightly forward. Shoulder and hip movement are notable. Feet are flattened against the ground in a wide stance. Steps include: scuffing, stamping, jumping and hopping steps. African dance is often said to be “earth centered;” even in jumping styles, (such as the Tutsi of Rwanda,) the orientation is towards the earth.
African choreographers today are trained and choreograph in many forms. South African ballet choreographer, Dada Masilo, and modern dance teacher and choreographer Germaine Acogny of Senegal, known as the mother of modern dance in Africa are two.
A number of U.S. dance companies have created a unique dance style by blending traditional African and modern dance. These include: PHILADANCO (Philadelphia), Step Afrika! (Washington, D.C.), and Forces of Nature Dance Theatre Company (New York), to name only a few. The work of these companies would not have been possible without their deep engagement with several diaspora pioneer percussionists—Kimati Dinizula, Babatunde Olatunji, Olukose Wiles—who helped establish the performative style of the American African dance company. In 1978, Baba Chuck Davis, in conjunction with the Brooklyn Academy of Music (BAM), Brooklyn, held the first DanceAfrica which, included Arthur Hall, Charles Moore, Chuck Davis, Dinizulu, and the International Afrikan American Ballet. Now an annual, Memorial Day weekend celebration, DanceAfrica includes performance by some of the countries top African dance companies, visiting guest companies from Africa, education events, and an African Bazaar.
Several, 20th century Black American choreographers established the groundwork for choreographers whose work references African, African-American, and Afro-Caribbean traditions. Anthropologists/choreographers Catherine Dunham and Pearl Primus pioneered the notion that there could be a Black American choreography that was different than that of contemporary Euro-American choreographers. Both were also PhD anthropologists pioneering the field of dance ethnography. Choreographer/teacher Lester Horton created a dance technique that is the foundation for the choreography and technique (with ballet and jazz,) of choreographer Alvin Ailey and the Alvin Ailey American Dance Theater (founded in 1958.) Currently led by choreographer Robert Battle, AAADT is one of the most popular, and most seen, dance companies in the world. Ailey Dance has performed in 48 states, 71 countries, and on 6 continents. Ailey’s influential work has shaped generations of (particularly African-American) choreographers.
In 2ist Century United States choreographers who identify as Black Americans come from a wide range of traditions and choreographic approaches. It would do an injustice to all of their work to try and summarize it.